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My Name Is . . .
  • Language: en
  • Pages: 67

My Name Is . . .

  • Type: Book
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  • Published: 2014-05-21
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  • Publisher: A&C Black

When Gaby disappears from her Scottish home, it is assumed that her Pakistani father, Farhan, has kidnapped her. The spiralling headlines are only momentarily silenced when it emerges that Gaby may have fled of her own accord, choosing to spend her life in Pakistan. To the distress of her Scottish mother, Suzy, Gaby declares, “My name is Ghazala”, turning her back on "Gaby" and, seemingly, the West. This moving verbatim play reveals a cross-cultural love story that began in late-seventies Glasgow, a world away from the frantic "tug of love" well documented in the world's press. A captivating new play about love, family and ever-shifting identities, My Name Is . . . tells the story behind an event that fleetingly hit headlines in 2006 and continues to resonate throughout the UK and beyond. It was first produced by Tamasha at the Arcola Theatre, London, on 30 April 2014, before the production transferred to the Tron Theatre, Glasgow, on 29 May 2014.

Child of the Divide
  • Language: en
  • Pages: 96

Child of the Divide

I have a boy. He is across the border, I know he is. A few miles between. The same stars Shine on him Summer 1947. Sixteen million people are on the move between India and the newly-formed Pakistan. Amid the violent political upheaval, young Pali's fingers slip from his father's hand, and his destiny changes forever. Lost, dispossessed and alone, Pali is saved by a Muslim family. The boy is given a new home and new family, a new name, a new faith and a new life. But seven years later, his real father returns to claim him and Pali's life is turned upside down again. He is forced to decide who he is: the Hindu boy he was born to be, the Muslim boy he has become, or simply a child of the divide. This edition has been published to mark the 70th anniversary of the partition of India and a new high-profile production originating once again at the Polka Theatre. Sudha Bhuchar's remarkable story of family, identity and belonging set against a fractured landscape is a fictionalised account of real experiences, of families torn apart and of stolen pasts, where friendship and love are found in unexpected places.

Touchstone Tales
  • Language: en
  • Pages: 122

Touchstone Tales

Touchstone Tales is a unique collection of revealing and illuminating stories of Lutonians, seen through the prism of touch. Originally a Revoluton Arts/Wellcome collection co-commission, it is part of Wellcome's national arts partnership programme and is an artist response to 'The Touch Test', Wellcome's study on the role that touch plays in the lives and well-being of people. Written by award-winning author Sudha Bhuchar, the play explores the theme of touch through a collection of fictional self-portrait monologues and a dualogue, directly inspired by creative encounters with mainly the British Muslim South Asian communities in Bury Park, Luton.

Strictly Dandia
  • Language: en
  • Pages: 88

Strictly Dandia

A new comedy takes us into the competitive world of the Indian Navratri Festival

Child of the Divide
  • Language: en
  • Pages: 98

Child of the Divide

I have a boy. He is across the border, I know he is. A few miles between. The same stars Shine on him Summer 1947. Sixteen million people are on the move between India and the newly-formed Pakistan. Amid the violent political upheaval, young Pali's fingers slip from his father's hand, and his destiny changes forever. Lost, dispossessed and alone, Pali is saved by a Muslim family. The boy is given a new home and new family, a new name, a new faith and a new life. But seven years later, his real father returns to claim him and Pali's life is turned upside down again. He is forced to decide who he is: the Hindu boy he was born to be, the Muslim boy he has become, or simply a child of the divide. This edition has been published to mark the 70th anniversary of the partition of India and a new high-profile production originating once again at the Polka Theatre. Sudha Bhuchar's remarkable story of family, identity and belonging set against a fractured landscape is a fictionalised account of real experiences, of families torn apart and of stolen pasts, where friendship and love are found in unexpected places.

The Trouble with Asian Men
  • Language: en
  • Pages: 52

The Trouble with Asian Men

Macho men or metrosexual guys? Mummy’s boys or blokes under their missus’ thumbs? Self-made entrepreneurs, pukka professionals and successful executives with their Mercedes Benz lives and designer-clad wives; husbands, sons, uncles, brothers and fathers – these successful, soulful and spirited Asian men have come a long way from their origins but they’ve all got roots! The Trouble with Asian Men is a vital, tender and hilarious insight into lives that surround us every day. From the award-winning theatre company that brought us East is East, a revealing verbatim comedy that has played to sell-out houses internationally.

Wuthering Heights
  • Language: en
  • Pages: 97

Wuthering Heights

  • Type: Book
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  • Published: 2009-03-13
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  • Publisher: A&C Black

Emily Bronte's classic novel adapted as a Bollywood stage musical for a completely new audience and readership.

A Fine Balance
  • Language: en
  • Pages: 116

A Fine Balance

Set in mid-1970s India, a subtle and compelling narrative about four unlikely characters who come together in circumstances no one could have foreseen soon after the government declares a 'State of Internal Emergency'. It is a breathtaking achievement: panoramic yet humane, intensely political yet rich with local delight.

Introducing international development management
  • Language: en

Introducing international development management

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Alternatives Within the Mainstream
  • Language: en
  • Pages: 424

Alternatives Within the Mainstream

Alternatives Within the Mainstream: British Black and Asian Theatres is the first comprehensive collection of critical essays on the subject. Edited by Dimple Godiwala, the anthology is in six parts: A lengthy Introduction is followed by Part II (Histories and Trajectories) which contains chapters which survey the work of the Black Theatre Forum and the histories of Black and Asian theatres in Britain. Part III (Histories of Theatre Companies and Arts Venues) charts brief histories of the major theatre companies, Talawa, Tara and Tamasha and contains a survey of Birmingham’s changing arts venues. Part IV called simply Controversies is a document of the Sikh diaspora’s uproar over Behzti ...