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Real Dramas
This is an engaging collection of ten original Australian plays for junior secondary students. The plays are fun to perform and are full of all sorts of characters caught up in situations that are intriguing and often highly amusing.Key features: a variety of themes that will captivate the age group the plays are generally short with medium to large casts there are strong roles for both boys and girls useful production notes accompany each script issues can be explored via discussio
Blue Moon Beach
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A Call from the Other Side
This is the story of the well known Psychic Medium, Sue Nicholson. All her life Sue Nicholson has known there is more to our mere existence than the physical lif we live. Born to a drunken father & anngry mother Sue's life was one of loneliness & isolation. From this difficult childhood she became awre of other presences in the house & she continued her pursuit of spiritual connection in adulthood & eventually began to use her talents to help those around her including her work on the TV series, Sensing Murder.
Big Dramas
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Choir Boy
CHOIR is the Central Headquarters of the Organisation for Invention and Research. It's top-secret! At CHOIR, highly intelligent young people make new inventions that will help the world. Harley Baxter has invented a robot. It's so life-like that he is sure nobody will ever know it's a robot. But when Harley takes his robot home and to school, things don't go quite the way he planned! CHOIR Boy is a play. You can read it like any story, or you can act it out with a group - like real actors!
Bright Signals
First demonstrated in 1928, color television remained little more than a novelty for decades as the industry struggled with the considerable technical, regulatory, commercial, and cultural complications posed by the medium. Only fully adopted by all three networks in the 1960s, color television was imagined as a new way of seeing that was distinct from both monochrome television and other forms of color media. It also inspired compelling popular, scientific, and industry conversations about the use and meaning of color and its effects on emotions, vision, and desire. In Bright Signals Susan Murray traces these wide-ranging debates within and beyond the television industry, positioning the story of color television, which was replete with false starts, failure, and ingenuity, as central to the broader history of twentieth-century visual culture. In so doing, she shows how color television disrupted and reframed the very idea of television while it simultaneously revealed the tensions about technology's relationship to consumerism, human sight, and the natural world.
Copsford
In 1920 a young man, Walter Murray, spent a year in a derelict cottage, Copsford, working in lonely countryside among the wild animals and birds, with only a dog, Floss, for companionship. From the beginning, Murray has to fight not only the rats that infest his inhospitable house, and the elements outside, but also a loneliness that he finds soul-shatteringly oppressive. But Murray comes to delight in his simple life, despite its deprivations. Above all, he appreciates the wildlife he experiences in meadow and woodland, the animals and insects, birds and butterflies. And he comes to a deeper understanding of plants and trees, the sun, wind, rain, frost and snow. Copsford is an under-appreciated classic of the English countryside, delighting not only in flora and fauna, but in scent, colour, sound and movement. In beautiful and sensitive prose Murray expresses a vivid depth of feeling for nature that makes Copsford a tour de force of nature mysticism. This new edition also contains Murray's essay, 'Voices of Trees', and an Introduction by R.B. Russell
Wild Water
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My Life Without God
Atheist Madalyn O'Hair's son recounts his turbulent childhood, his search for truth and subsequent commitment to Christ. Bill shares how God's love helped him cope with his family's disappearance and tragic deaths. Includes photos.
Blown Away
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