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Winner of the Seamus Heaney First Collection Poetry Prize 2021 Shortlisted for the Michael Murphy Memorial Poetry Prize 2021 Arrow is a debut volume extraordinary in ambition, range and achievement. At its centre is 'Dear, beloved', a more-than-elegy for her younger sister who died suddenly: in the two years she took to write the poem, much else came into play: 'it was my hope to write the mood of elegy rather than an elegy proper,' following the example of the great elegists including Milton, to whose Paradise Lost she listened during the period of composition, also hearing the strains of Brigit Pegeen Kelly's Song, of Alice Oswald and Marie Howe. The poem becomes a kind of kingdom, 'one th...
Poems are social. They reach out, however crookedly, to another person, however imperfectly imagined. And sometimes they not only embody but enact those things that we might value in the other parts of our social lives--kindness, for example, or joy--as well as the complications those values entail. Looking closely at poems from Lucille Clifton, Elizabeth Bishop, Gwendolyn Brooks, Terrance Hayes, Spencer Reece, Robert Pinsky, Claudia Rankine, Jericho Brown, Patricia Lockwood, Ross Gay, Paisley Rekdal, Gabrielle Calvocoressi, and many others, That Peculiar Affirmative tries to understand what it means for a poem to be humble or humorous, decorous or confident, and what that tells us not only ...
A collection of poems by Ken Chen, winner of the Yale Younger Poets prize in 2010.
Literary Nonfiction. Asian & Asian American Studies. THE YELLOW BOOK, a cross-genre meditation on what it means to be Korean/American and write, begins with a moment of doubt, in which the speaker, forced into speech by his interlocutor, is no longer sure he is who he is: You sure you're not Jackie Chan? [...] Honestly, I say, I don't even know. The speaker opts for camouflage, transformation, and evasion. The book, similarly, aims to elude identification, to contradict itself. It moves broken-tongued, between memoir and essay and poem, between body and footnote, between Korean memory and English utterance, between remembrance and forgetfulness, between history and fiction. Populated by a varied cast of characters--a god, a bear, a tiger, Mr. Miyagi, Jack London, a fictionalized version of Civil War general Franz Sigel, and a non-fictitious chihuahua--THE YELLOW BOOK is a travelogue, a picaresque, a mythology, a catalog of grievances, an act of revenge, an apology, a joke book, a defiance, an obeisance, a performance, a slander, a love letter, a manifesto, a refutation.
'Fans of Anne Carson, rejoice!... Carson's depth of knowledge about Greek mythology coupled with her poetic sensibility and illustrations is sure to breathe new life into this oft-told story.' Lit Hub H of H Playbook is an explosion of thought, in drawings and language, about a Greek tragedy called Herakles by the 5th-century BC poet Euripides. In myth Herakles is an embodiment of manly violence who returns home after years of making war on enemies and monsters (his famous "Labours of Herakles") to find he cannot adapt himself to a life of peacetime domesticity. He goes berserk and murders his whole family. Suicide is his next idea. Amazingly, this does not happen. Due to the intervention of his friend Theseus, Herakles comes to believe he is not, after all, indelibly stained by his own crimes, nor is his life without value. It remains for the reader to judge this redemptive outcome. "I think there is no such thing as an innocent landscape," said Anselm Kiefer, painter of forests grown tall on bones.
At head of title: Winner of the Airlie Prize.
Portrait of the Alcoholic is the first chapbook of poems from Ruth Lilly-winner and founding editor of Divedapper, Kaveh Akbar.
Winner of the 2016 Costa Poetry Award Shortlisted for the 2016 T. S. Eliot Award Shortlisted for the 2016 Forward Prize A Daily Telegraph / Guardian / Herald / New Statesman / Sunday Times / Times Literary Supplement Book of the Year Alice Oswald's poems are always vivid and distinct, alert and deeply, physically, engaged in the natural world. Mutability - a sense that all matter is unstable in the face of mortality - is at the heart of this new collection and each poem is involved in that drama: the held tension that is embodied life, and life's losing struggle with the gravity of nature. Working as before with an ear to the oral tradition, these poems attend to the organic shapes and sound...
Renowned poet Melissa Green returns to the literary stage with her new and selected poems, Magpiety, a profound and evocative exploration of memory, nature, and the nuances of human emotion. Created to captivate both longtime admirers and new readers alike, this collection showcases Green's unparalleled talent for weaving together the spiritual and the earthly with a voice that is both tender and fierce. Green's poems traverse landscapes both external and internal, unveiling a lyrical tapestry of emotion and memory. Her previous works, including the critically acclaimed The Squanicook Eclogues and Color is the Suffering of Light, have established Green as one of the most important voices in contemporary poetry.
"Poetic exploration in Middle English about the body, physical space, ownership of space, gender, and transitioning genders."--