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Ballet Class
A pathbreaking social history that takes seriously the experiences of the countless everyday people who pursued recreational ballet, Ballet Class: An American History explores the growth of this now quintessential extracurricular activity as it became an integral part of American childhood across borders of gender, class, race, and sexuality.
Christensen Brothers
First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Researching Dance
In Researching Dance, an introduction to research methods in dance addressed primarily to graduate students, the editors explore dance as evolutional, defining it in view of its intrinsic participatory values, its developmental aspects, and its purposes from art to ritual, and they examine the role of theory in research. The editors have also included essays by nine dancer-scholars who examine qualitative and quantitative inquiry and delineate the most common approaches for investigating dance, raising concerns about philosophy and aesthetics, historical scholarship, movement analysis, sexual and gender identification, cultural diversity, and the resources available to students. The writers have included study questions, research exercises, and suggested readings to facilitate the book's use as a classroom text.
Frontiers
First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Elements of Performance
First Published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.
Transcending Boundaries
"First Published in 2002, Routledge is an imprint of Taylor & Francis, an informa company."
What's So Funny?
First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Dancing in the Vortex
First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
Modern Dance in France (1920-1970)
It was indeed an adventure for those pioneers in France who struggled for the recognition of the new-born dance of the twentieth century - from the free dance of Isadora Duncan, through the absolute dance of Mary Wigman, to the modern dance of Martha Graham. Jacqueline Robinson has lived at the heart of this adventure, sharing the aspirations of a whole generation who often suffered from the lack of understanding of an establishment more inclined towards classical ballet. From the breaking of the soil in the twenties, to the flowering in the sixties, here is a chronicle of the changing landscape of French dance. Here is the story of those men and women, ploughmen and poets, rebels and visionaries - the recollection of those events that made it possible for dance as an art form in Western countries to rise again as a fundamental expression of the human spirit.
