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Theatre Audiences
Susan Bennett's highly successful Theatre Audiences is a unique full-length study of the audience as cultural phenomenon, which looks at both theories of spectatorship and the practice of different theatres and their audiences. Published here in a brand new updated edition, Theatre Audiences now includes: • a new preface by the author • a stunning extra chapter on intercultural theatre • a revised up-to-date bibliography. Theatre Audiences is a must-buy for teachers and students interested in spectatorship and theatre audiences, and will be valuable reading for practitioners and others involved in the theatre.
Denial
When justice fails, there can only be revenge. Shortlisted - Sisters in Crime Scarlet Stiletto Awards.
A Thankless Child
This book provides a flavour of a period of history known as the Enlightenment through the eyes of a young girl born in 1771. She was known to actors, actresses, artists, naval men, emigres and even a South Sea islander and visited England's spa towns. She had her portrait painted by Angelica Kauffman RA and John Russell RA.
Performing Nostalgia
In this trenchant work, Susan Bennett examines the authority of the past in modern cultural experience and the parameters for the reproduction of the plays. She addresses these issues from both the viewpoints of literary theory and theatre studies, shifting Shakespeare out of straightforward performance studies in order to address questions about his plays and to consider them in the context of current theoretical debates on historiography, post-colonialism and canonicity.
Theatre Audiences
Susan Bennett's highly successful Theatre Audiences is a unique full-length study of the audience as cultural phenomenon, which looks at both theories of spectatorship and the practice of different theatres and their audiences. Published here in a brand new updated edition, Theatre Audiences now includes: `nBL a new preface by the author • a stunning extra chapter on intercultural theatre • a revised up-to-date bibliography Theatre Audiences is a must-buy for teachers and students interested in spectatorship and theatre audiences, and will be valuable reading for practitioners and others involved in the theatre.
Late Discoveries
Susan was forty-three years old before she ordered a DNA test and learned the truth that she had long suspected: that she was adopted. By this time, the woman she had always called her mother, who had kept the adoption a secret, was dying, so Susan never got to talk with her directly on this important matter of identity. Then came the long, involved search for her half-siblings and her biological family roots, a roller-coaster of emotions that uncovered secret after secret, revealing truth after truth. At the climax of the book, she visits the building where she was born (when the building was a facility for unwed mothers) and makes a remarkable, almost magical connection with her deceased birth mother. She discovers, still stuck to a wall, a painting of a Christmas tree signed by her eighteen-year-old mother. The most important truth Susan learned from her quest was that she had been wanted and loved by both her mothers.
New Beginnings
For years, Susan Bennett has enjoyed a rosy life. She married Jerry, her high school sweetheart, loved her job, and looked forward to a future full of dreams and promises of wonderful things to come. But then it all came crashing to a halt. The police show up on her doorstep one day and tell her that Jerry, the man she thought she knew and loved, had been arrested on charges of robbery and murder. Worse, Susans life could very well be in danger. Her only option was to obtain a divorce, change her name, and move to another part of the country. Her only contact with her previous life was the detective in charge of the case against her now former husband. Now, as Susan Grant, she moves to a town called Hopewell where she can start anew. Soon, she secures a place to live and a good job. She even makes friends with Tim, the handsome local minister. Just as she begins to envision a future free from fear, however, the events of her past intrude to threaten her newfound happiness.
The Infamous Mrs. Gallagher
Social Evil, or prostitution, was rife in Victorian Britain despite the many attempts to contain it. The law courts were a battle ground as passionate speakers exhorted respectable Victorian gentlemen and their good ladies to support them. In their quest for suppression and repression, with prostitutes their satanic enemy they were up against Madams like Jane Gallagher who made the most of it, winning court case after court case, as well as living a remarkable life!'Why, there is not a place of public amusement in the whole of the city which is not utilised night after night by some class of women or other for assignations; even the newspapers as you know, are daily made the medium of some m...
Songbook: Music Reimagined as Fiction
A repentant wife, lost dog returned and house risen from ashes can only mean one thing: someone is playing a country and western song backwards. In a mysterious, wisteria covered cottage, an unfaithful husband faces a devilish ultimatum. Blown off course, a letter travels the world pursued by its mortal foe, the wind. Languishing in an opportunity shop window, an exquisite wedding gown may not be the bargain it seems. A pugilistic kitten and robot vacuum with poor self-esteem take on the mean city streets... From humour and magic to twisted tales, yearning and desire, these eclectic short stories reimagine songs by U2, Aerosmith, Billy Connolly, Chris Isaak, Paul Kelly & The Stormwater Boys, Crowded House, The Beatles, Divinyls, Hoagy Carmichael, The Temptations, Kylie Minogue, and The Shangri-Las, along with music by Debussy, de Lulli, Schumann, Beethoven, Steve Rosenberg and Dvořák but definitely not The Rolling Stones.* *Songbook is a work of fiction. Any resemblance to actual persons living, dead or seemingly immortal is entirely co-incidental and absolutely no cause for legal action.
Theory for Theatre Studies: Sound
Sound provides a lively and engaging overview of relevant critical theory for students and researchers in theatre and performance studies. Addressing sound across history and through progressive developments in relevant technologies, the volume opens up the study of theatrical production and live performance to understand conceptual and pragmatic concerns about the sonic. By way of developed case studies (including Aristophanes's The Frogs, Shakespeare's The Tempest, Cocteau's The Human Voice, and Rimini Protokoll's Situation Rooms), readers can explore new methodologies and approaches for their own work on sound as a performance component. In an engagement with the burgeoning interdisciplin...
