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When respected exĆanadian Forces commander Bern Fortin cuts short his military career to take a job as the coroner for a small mountain town in the heart of BC, heś hoping to leave the past behind. Bernś looking forward to a quiet life, but the memories of what he witnessed during his stints in Afghanistan and other war-torn countries haunt him still. When the body of one of the workers is found floating in the huge bottle-washing tank at the local brewery, Bern is called in for a routine investigation. What first appears to be a tragic accident takes a menacing turn when the body of the workerś girlfriend is discovered in a nearby field. Bern needs the help of brewery safety investigator Evie Chapelle, who, burdened by tragedies she might have prevented, is more determined than ever to keep her workers, and their tight-knit community, safe. Soon, Bern and Evie find themselves risking their jobsánd their livest́o uncover a killer hiding in a place where it is awfully hard to keep a secret.
In Byron's Ghosts British and American scholars join together to overturn some of the prevailing assumptions that romance scholars have made about Byron, offering a fresh new reading of his poetry. Informed by recent critical theory focused on spectrality, they look at ghosts in his work, both in the conventional sense—what Mary Shelley once described as the “true, old-fashioned, foretelling, flitting, gliding ghost”—and in a postmodern sense, one concerned with a range of phantom effects. Balancing attention on these diverse concepts of the ghost, their essays complicate the popular images of Byron as a materialist, skeptic, and anti-Romantic, revealing crucial new insights about his poetry.
Parenting the Crisis draws on original quantitative and qualitative research into the work that parents do in teaching their children in a broad range of areas. It engages with key debates from across the disciplines of sociology, social policy, social psychology, and media and cultural studies to build a timely critique of parenting culture. Tracey Jensen shows how the very concept of concept of "parenting" so often conceals gendered and classed assumptions about parental care and competence. From there, Jensen moves on to trace the ways that public discussions of parenting as in crisis are used to police and discipline families that are considered to be morally suspect, failing, or abnormal.
Throughout the history of humankind, spanning the earliest indigenous peoples' and shamanic traditions, stretching from myths to fairy tales, countless oral and written traditions recount the magic of dreams and their meanings. And yet, little about dreams and their meaning has survived into the 21st century. Dreams are life's search for itself, as Ortrud Grön, Germany's most famous dream researcher, said. A search for inner clarity, life, truth and joy. Embark with this little dream compendium on a dreamlike journey full of inner self-encounters!
Underwater Worlds throws open a new area in the emerging field of “blue” environmental humanities by exploring how subaqueous environments have been imagined and represented across cultures and media. The collection pursues this theme through various disciplinary perspectives and methodologies, including history, literary and film criticism, myth studies, legal studies and the history of art. The essays suggest that, since the nineteenth century, technologies of underwater exploration have generated novel sensory experiences that have destabilized conventional modes of representation and influenced new aesthetic forms from fiction and television to virtual reality. The collection also examines how representations of underwater environments have reflected and critiqued humans’ relationships with marine ecology and life-forms. It reflects on the deeper cultural and symbolic resonances of mythical figures such as mermaids, sea monsters and the ghosts of drowned seafarers. The contributions further reveal myriad political, ideological, gendered and racial dimensions of representing underwater environments.
Reprint of the original, first published in 1875.
Smart. Funny. Fearless."It's pretty safe to say that Spy was the most influential magazine of the 1980s. It might have remade New York's cultural landscape; it definitely changed the whole tone of magazine journalism. It was cruel, brilliant, beautifully written and perfectly designed, and feared by all. There's no magazine I know of that's so continually referenced, held up as a benchmark, and whose demise is so lamented" --Dave Eggers. "It's a piece of garbage" --Donald Trump.