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Dangerous is Michael Jackson's coming of age album. Granted, that's a bold claim to make given that many think his best work lay behind him by the time this record was made. It offers Jackson on a threshold, at long last embracing adulthood-politically questioning, sexually charged-yet unable to convince a skeptical public who had, by this time, been wholly indoctrinated by a vicious media. Even though the record sold well, few understood or were willing to accept the depth and breadth of Jackson's vision; and then before it could be fully grasped, it was eclipsed by a shifting pop music landscape and personal scandal-the latter perhaps linked to his assertive new politics. This book tries t...
In today’s culture, popular music is a vital site where ideas about gender and sexuality are imagined and disseminated. Popular Music and the Politics of Hope: Queer and Feminist Interventions explores what that means with a wide-ranging collection of chapters that consider the many ways in which contemporary pop music performances of gender and sexuality are politically engaged and even radical. With analyses rooted in feminist and queer thought, contributors explore music from different genres and locations, including Beyoncé’s Lemonade, A Tribe Called Red’s We Are the Halluci Nation, and celebrations of Vera Lynn’s 100th Birthday. At a bleak moment in global politics, this collec...
Music and violence have been linked since antiquity in ritual, myth, and art. Considered together they raise fundamental questions about creativity, discourse, and music's role in society. The essays in this collection investigate a wealth of issues surrounding music and violence—issues that cross political boundaries, time periods, and media—and provide cross-cultural case studies of musical practices ranging from large-scale events to regionally specific histories. Following the editors' substantive introduction, which lays the groundwork for conceptualizing new ways of thinking about music as it relates to violence, three broad themes are followed: the first set of essays examines how...
This volume examines the powerful ways in which identity can be shaped by rock music. Through the music, imagery and discourse surrounding one of the most innovative and commercially successful rock bands ever, Susan Fast probes such issues as constructions of gender and sexuality, the creation of myth and the use of ritual, the appropriation of Eastern musics and the blues, the physicality of the music, and the use of the body in performance. The band's influence is examined through socially-situated musical analysis, as well as an ethnographic study of Led Zeppelin fans. Fast draws on academic and journalistic writing as well as a new interview with band member John Paul Jones. Specific pieces examined include "Dazed and Confused," "Kashmir," "Stairway to Heaven," and "Whole Lotta Love."
"Are you hungry for more of God in your life? Discover why millions of men and women throughout the world are rediscovering the ancient discipline of fasting--and, as a result, are encountering God in amazing ways. In this authoritative guide, Susan Gregory, 'The Daniel Fast Blogger' and an acknowledge expert on the popular partial fast inspired by the biblical book of Daniel, guides readers toward a successful fasting experience"--Cover, p. 4.
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First published in 2000
“At once a captivating life story made up of a rich history, and a beautiful reflection on loves lost. Tender, moving, and highly readable.” —Torre DeRoche Author of Love with a Chance of Drowning “This book is one part “Hero’s Journey” and two parts love story; an alchemy of high adventure and keen insights that will take your breath away and expand your capacity to love. Empowering, entertaining, and most of all inspiring. I thoroughly enjoyed it and I know you will too.” —Brian Luke Seaward Author of Stand Like Mountain, Flow Like Water HOLDING FAST: A Memoir of Sailing, Love, and Loss is Susan’s story of leaving everything behind to follow her husband’s lifelong dream of sailing away. Blond, blue-eyed, irreverent John bursts into Susan’s life in her twenties with a dream of sailing off. Susan dreams of settling down and doesn’t want to go. A three-year voyage with their young daughter to the Caribbean profoundly changes their lives. A gripping adventure story and an inspirational memoir of finding our power in the unlikeliest of places.
Prologue : getting to Immokalee -- To beat one of us is to beat us all! -- Bang your head against the wall long enough, and you have to admit it starts to hurt -- Campaigning for fair food -- Has anyone talked with these guys? -- Eyes wide open -- Forging the path by walking it -- "Value" can have a different meaning -- What difference? -- Designed for the future
Winner of the Griffin International Poetry Prize A collection in five parts, Susan Howe’s electrifying new book opens with a preface by the poet that lays out some of Debths’ inspirations: the art of Paul Thek, the Isabella Stewart Gardner collection, and early American writings; and in it she also addresses memory’s threads and galaxies, “the rule of remoteness,” and “the luminous story surrounding all things noumenal.” Following the preface are four sections of poetry: “Titian Air Vent,” “Tom Tit Tot” (her newest collage poems), “Periscope,” and “Debths.” As always with Howe, Debths brings “a not-being-in-the-no.”