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The Jewelry of Ideas
Radical developments in jewelry from across the world, from traditional metalsmithing to computer-aided design The Jewelry of Ideasis published in conjunction with Cooper Hewitt, Smithsonian Design Museum's exhibition celebrating gifts from the Susan Grant Lewin Collection of Contemporary Jewelry. This renowned collection, built by the New York-based Lewin over several decades and recently donated to Cooper Hewitt, captures the diversity and achievements of art, or studio, jewelry with nearly 150 significant works by designers from the United States, Europe, Asia and Australia. The brooches, necklaces and rings--the majority of which were made in the last 15 years--reveal how these contempor...
Ring Redux
- Colorful presentation of 150more than a hundred rings from the Susan Grant Lewin Collection- A who's who of contemporary art jewelry- Selected artists include: Claire Falkenstein and Arline Fisch (USA); Wendy Ramshaw (UK); Bruno Martinazzi, Giampaolo Babetto, and Annamaria Zanella (Italy); Friedrich Becker, Karl Fritsch, and Daniel Kruger (Germany); and David Bielander (Switzerland)- "Artists' Voices" section gives insight into individual approaches for creating each ringRing Redux presents more than a hundred avant-garde rings by renowned international artists who explore this age-old jewelry form with great vitality and relevance to society today. In the essay "Riffs on Rings," Ursula Il...
Formica & Design
This profusely illustrated and comprehensive examination of Formica surveys all aspects of the brand's artistic and cultural influence. Soon after its invention, Formica laminate was used as a decorative material, adorning such interiors as those of the Queen Mary and Radio City Music Hall, among others. Formica's easy-to-clean features and its chameleon-like capacity to adopt to any pattern and color soon made it a ubiquitous surface material for kitchens and bathrooms across America. More importantly, Formica laminate has changed with the tastes of the times from the modern style in the 1930s to the postmodern style of the 1980s. Individual chapters and essays explore Formica's many applications—in diners, hotels, homes, furniture, and jewelry.
One of a Kind
"Jewelry as art is America's most provocative current art form. This is jewelry that must be evaluated, like fine art, for its ideas, inventions, intuitions, and content rather than for its precious materials or conformity to tradition. Yet it is art that can be worn, and as such has a unique advantage over all other mediums in its direct contact with the body, giving it an engaging intimacy." "Since World War II, the field of art jewelry has bloomed prodigiously, thanks to the talents of a richly diverse group of practitioners who have explored the range of the art and the possibilities of the craft. Here, Susan Grant Lewin profiles 54 of the best artist/jewelers among a growing number who ...
The Make Believe World of Maxfield Parrish and Sue Lewin
This affordable, over-sized paperback provides an unusual glimpse into artist Maxfield Parrish's life--particularly his relationship with model Sue Lewin. Black-and-white photos and full-color plates show how Lewin's simple poses became fully realized fantasies under the brush of the master. The text explores not only the artworks that emerged from the relationship, but also the scandal that ensured.
Avedon
This monograph on the work of Gideon Lewin, master printer and assistant to Richard Avedon, revealsmoments never told, stories never heard, and a life that only a few ever experienced. It is a story of a close working relationship and collaboration with a master. Avedon: Behind the Scenes, 1964-1980 relates Lewin's personal experiences working with Richard Avedon for 16 years. It is about the hard work, the intrigues, the energy, the mysteries, the humor, and the commitment to creating images that were larger-than-life and will last for generations. This book illuminates many details about preparations for Avedon's major exhibitions, the master classes he was a part of, and many behind-the-s...
Gisbert Stach
Beginning with jewellery and its proverbial timelessness, Gisbert Stach experiments with processes of transformation, transience and revaluation: pieces of jewellery are worked into asphalt, dissolved in acid or used as targets in knife-throwing performances. Ground amber serves as a pigment to give brooches the deceptively real look of schnitzels. In his twenty-five years of working as a silver- and goldsmith, Gisbert Stach expanded the notion of jewellery to include other media such as photography, video and performance.
Representing History, 900-1300
"Brings together the disciplines of art, music, and history to explore the importance of the past to conceptions of the present in the central Middle Ages"--Provided by publisher.
Planetary Crusts
This comprehensive reference volume surveys the development of crusts on solid planets and satellites in the solar system.
Challenging the Chatelaine!
"Challenging the Châtelaine! exhibition includes jewellery created by seventy eight internationally known artists for role models of their choice reviving the tradition of the chatelaine--a waist hung ornament with appendages"--Front cover flap.
