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How to Avoid a Phd (Penalty for Hardworking Dummies): Wishing I Were an Autodidact
This book is the result of decades-long academic research and 25 years of emergence in the myth of the American dream. In reality, a small minority of ultra-rich corporations have complete control over the government and mercilessly exploit the majority of Americans. The author debunks the illusion of meritocracy, heavily promoted by ubiquitous propaganda. Through the mainstream media, PR, and academia, the legend is sold to the American people and the world as an equal opportunity for all. Packaged in glamorous fabricated stories, the myth is glorified by Hollywood and legitimized by multiple mainstream news channels that are owned by five companies, which control the narrative. At the same time, higher education is designed to enslave graduates with enormous debts in order to keep them obedient. In the complete absence of adequate opposition, these institutions create and maintain a plutocracy while purporting to represent freedom and democracy.
Re-Placing America
This collection of essays and poems examines various recent literary texts and cultural arenas in North America and the Asia and Pacific regions for what they reveal of the ongoing struggles of indigenous people and people of colour for justice and autonomy.
Kahoòlawe Island
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Interiors
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The Conscience of the Folk Revival
Israel G. "Izzy" Young was the proprietor of the Folklore Center in Greenwich Village from the late 1950s to the early 1970s. The literal center of the New York folk music scene, the Center not only sold records, books, and guitar strings but served as a concert hall, meeting spot, and information kiosk for all folk scene events. Among Young's first customers was Harry Belafonte; among his regular visitors were Alan Lomax and Pete Seeger. Shortly after his arrival in New York City in 1961, an unknown Bob Dyan banged away at songs on Young's typewriter. Young would also stage Dylan's first concert, as well as shows by Joni Mitchell, the Fugs, Emmylou Harris, and Tim Buckley, Doc Watson, Son H...
A Companion to Illustration
A contemporary synthesis of the philosophical, theoretical and practical methodologies of illustration and its future development Illustration is contextualized visual communication; its purpose is to serve society by influencing the many aspects of its cultural infrastructure; it dispenses knowledge and education, it commentates and delivers journalistic opinion, it persuades, advertises and promotes, it entertains and provides for all forms of narrative fiction. A Companion to Illustration explores the definition of illustration through cognition and research and its impact on culture. It explores illustration’s boundaries and its archetypal distinction, the inflected forms of its parame...
