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Revised and expanded second digital edition
Already an award-winning poet, Carmine Starnino has also made his mark as a literary critic of great pluck, probity and irreverence. His highly regarded, often highly controversial writings on poetry have enlivened -- and often enraged -- the Canadian literary scene since they first began appearing in the late 1990s. He has tackled the careers of some of this country's most notable poets (among them Irving Layton, Michael Ondaatje, Anne Carson, Tim Lilburn, Susan Musgrave, Christopher Dewdney) and done so in prose of great subtlety and style. Indeed, in Starnino's literary criticism seditiousness and insight are made to live inside sentences that always square their shoulders and draw themselves to their full verbal height. A Lover's Quarrel culls some of the highlights of Starnino's dissenting exploits, and includes the never-before-published title essay, an ambitious reassessment of Canadian poetry. For readers unfamiliar with Starnino's criticism, the release of A Lover's Quarrel furnishes the perfect opportunity to read one of the few critics in Canada who can speak his mind and speak it well.
Where the Light Waits pulls together light and shadow, stray thought and unravelling feeling, the past and the future - and listens for the silence resonating between, for that hint of assymetrical order. The poems grapple with the larger issues yet take the time to paint steel beams or violets with striking clarity.
Written in a rich variety of voices, the colourful narratives aim to entertain. They begin with a little girl's weekend in an artist's home, then shiver from a "Giant-Lady's" wintry farm, to summer dining in a mansion and a boy's exotic lunches on a neighbour's porch. A university student delights in her debonair "older man", a corporate executive rediscovers romance, an immigrant's daughter searches for a lost homeland, and women challenged by advancing years cope each in her unique way. Realistic, bizarre, funny, or touching, the stories in Nine to Ninety promise a potpourri of diverting reading.
The Dance Between is a suite of spare and striking poems about women, in various stages of life’s rhythms. Susan Ioannou’s epigram speaks of the moment between “what you once were, / and what you are now becoming” as being that dance. The poems span women’s lives, past and present, following common threads that are both personal and universal. The three sections group poems according to women in history and in the poets’ personal history. In the first section, “Out Front”, Ioannou sketches many profiles of women artists who have influenced the narrator. Part 2, “The Fallen”, follows tragic narratives of women’s loss and loneliness. The third part, “The Stars Wait”, ...
How can 50 years be summed up in a few poems? They can’t, of course. There is a texture and roundness to a life shared that exists far beyond written language. Instead, these poems are snapshots only. Some are of moments, like the evocation of a past homeland in holding a second printer’s proof up to the light, “The words are empty, but the memory bends / far back and curves from dust a resonance,” or simply enjoying dusk in the park: “Pond poised like dark glass, / one duck, slipping head-smooth under water, / tails up silence.” The poems also admit to the ups and downs in a long marriage, from early passion when “All my being / sings and ripples / life and warmth and love”,...
The poems in From the Mouths of Angels peer through windows to discover what's beyond the frame. Humourous and philosophical, the subject matter ranges from the language of birds to the interior world of Mondrian's canvases.
As a writer, if you thrive on encouragement, this book is for you. From three decades of editing, teaching, and writing fiction and poetry, Ioannou knows well the thorns and honey of the literary life: "When we write, we are up against the wall. Who am I? What do I feel? What do I think? Writing forces us to be alone with our thoughts, to work through the wrinkles of our own living." At the same time, when the lines are flowing, there is no greater high -- what keeps a writer addicted. These pages bring ample light and balm, support and inspiration. What's more, there's laughter too, as fable and satire poke gentle fun at foibles and absurdities on the literary scene, and remind all writers of the importance of holding true.
Teaching and learning in higher education can evoke strong feelings, including confusion, anxiety, boredom, curiosity, surprise and exhilaration. These emotions affect students’ learning, progress and overall success. Teachers’ emotions affect how they teach and their relationships and communication with students. Yet the emotional dimensions of teachers’ and students’ experiences are rarely discussed in the context of improving higher education. This book addresses that gap, offering short, evocative case studies to spark conversation among university teachers. It challenges readers to reflect on how higher education feels, to explore the emotional landscape of courses and programme...