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The Dealer is the Devil
Adrian Newstead’s explosive memoir lifts the lid on what Robert Hughes once described as “the last great art movement of the 20th century.” After thirty years sitting round campfires with Aboriginal artists all over Australia, Newstead has produced the definitive expose of “the first great art movement of the 21st century”. From remote indigenous communities with their dispossessed populations of tribal elders and troubled youth, to the gleaming white box galleries, high powered auction houses, and formidable art institutions of major cities all over the world, Newstead combines personal anecdotes with an insider’s grasp of the inter national art market. With vivid portraits of artists, dealers and scamsters, the book races from pre-contact and colonial days to the heady celebrations of the Sydney Olympics and the devastating impact of the global financial crisis. Newstead’s humour, love and respect for his subjects produces a story that reads at times like a thriller and also a lament for a lost world. WBN reviewers gave five stars to The Dealer is the Devil, Adrian Newstead’s ‘personal and encyclopaedic’ examination of the Indigenous art industry
The New McCulloch's Encyclopedia of Australian Art
Widely regarded as the authoritative reference on Australian art with its extensive colour plates and 4500 entries. Fully illustrated with more than 700 images on 1200 pages. Entries include: Aboriginal art, Abstractionism, art links, sculptors, photographers, craft workers and printmakers and much more.
Pedigree and Panache
"Art auctions have long captured the public imagination. They regularly make news headlines and have become synonymous with glamour, money and social distinction. The marketing of auction houses and the works they sell has resulted in firms attaining authoritative positions and the ability both to influence and reflect collecting tastes. Pedigree and panache is the first comprehensive history of the art auction in Australia. In this fascinating work, Shireen Huda investigates the construction of the glamorous reputation of art auctions and art auction houses. Featuring absorbing case studies of key art auctions and major art auction houses in Australia (including Christies, Sothebys and Deutscher-Menzies) the work provides an overview of the origin and international development of art auctions. The development of the Australian marketplace is then explored, detailing colonial inception and continuing until Christies' withdrawal of its saleroom presence in 2006."--Provided by publisher.
Authenticity, Autonomy and Multiculturalism
The concept of "authenticity" enters multicultural politics in three distinct but interrelated senses: as an ideal of individual and group identity that commands recognition by others; as a condition of individuals’ autonomy that bestows legitimacy on their values, beliefs and preferences as being their own; and as a form of cultural pedigree that bestows legitimacy on particular beliefs and practices (commonly called "cultural authenticity"). In each case, the authenticity idea is called on to anchor or legitimate claims to some kind of public recognition. The considerable work asked of this concept raises a number of vital questions: Should "authenticity" be accorded the importance it ho...
The Memoirs of a Young Bastard
Tim Burstall, the celebrated director of Stork, Alvin Purple and numerous other definitive 'ocker' comedies, is credited with shaking the moribund Australian film industry out of its torpor. But long before that, in the early 1950s, he began keeping a diary to record the world of the group of 'arties' and 'intellectuals' he was living among in Eltham, then a rural area outside Melbourne, where cheap land was available for mudbrick houses and studios, and where suburban rigidities could be mercilessly flouted. Burstall was in his mid-twenties, with two young sons and an open marriage with his wife, Betty. Eager to become a writer, to go against the grain, he kept a record almost daily-of the ...
Our Kentucky
Originally published in 1992 in conjunction with Kentucky's bicentennial observations and designed for use in the high school classroom, Our Kentucky remains one of the most concise, well-written introductions to the Bluegrass State. While the focus is on history, specialists in other fields contribute chapters that provide a comprehensive description of Kentucky's people and their past, present, and future. This expanded edition brings the scholarship up to date, ensuring the book's continued availability for students and general readers. State historian James C. Klotter, together with a teachers' advisory group, has gathered nineteen authorities on the Commonwealth, each of whom has writte...
Simeon Nelson
This text presents Simeon Nelson's artworks and allows the reader to interpret them through an accompanying analysis by art critic, Benjamin Genocchio. The text examines the inspiration for Nelson's art, clearly describing its meanings while responding to its immense beauty and wonder.
History of the Gift, Kern and Royer families
History of the Gift, Kern and Royer families
Senate documents
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