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Carnival Strippers
From 1972 to 1975, Susan Meiselas spent her summers photographing and interviewing women who performed striptease for smalltown carnivals in New England, Pennsylvania and South Carolina. As she followed the girl shows from town to town, she portrayed the dancers on stage and off, photographing their public performances as well as their private lives. She also taped interviews with the dancers, their boyfriends, the show managers and paying customers. Meiselas' frank description of the lives of these women brought a hidden world to public attention. Produced during the early years of the women's movement, "Carnival Strippers" reflects the struggle for identity and self-esteem that characterized a complex era of change. This revised edition contains a new selection of Meiselas' black-and-white photographs together with the original interview excerpts. Additionally, an audio CD featuring a collage of participants' voices and a 1977 interview with the photographer are included. Essays by Sylvia Wolf and Deirdre English reflect on the importance of this body of work within the history of photography and the history of feminism.
Kurdistan
A magnificent photographic history of the Kurdish people and their struggle for independence and survival over the past 125 years, gathered by one of America's foremost photojournalists. In bringing together these dispersed pieces, Susan Meiselas allows history to speak for itself through the words of freedom fighters, missionaries, spies, politicians, and princes. Over 400 photos.
Pandora's Box
Essays by Mistress Raven, Richard August and Mistress Delilah.
Susan Meiselas
Since the 1970s, questions of ethics raised by documentary practice have been central to debates in photography. Perhaps no other photographer has so closely and consistently represented and participated in these debates than Susan Meiselas. An American photographer best known for her work covering the political upheavals in Central America in the 1970s and 80s--including the El Mozote massacre in El Salvador--Meiselas' process has evolved in radical and challenging ways as she has grappled with essential questions about her relationship to her subjects, the use and circulation of her images in the media and the relationship of images to history and memory. Meiselas is under no illusions abo...
Mediations
This exhaustive monograph of Susan Meiselas will be released in occasion of the retrospective that will take place at Tàpies Foundation in Barcelone, Jeu de Paume in Paris and SFMOMA in San Francisco. Mediations is published by Damiani/Jeu de Paume/Fondation Tàpies. This exhibition and monograph propose a selection of works from the 1970s to today which reveal the particular approach of Susan Meiselas toward to the underlying reasons for making photographs, how the image concerns it's subject as much as the photographer and the role that these images can have at different levels in society and particularly in photojournalism. She questions the relationship between the image and the subject...
Susan Meiselas
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Knit Club
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The Unretouched Woman
This is a collection of photographs of women taken from Eve Arnold's travels through America, Europe, Asia, Africa and the Caribbean.
Kurdistan
An updated volume that layers both textual and photographic narratives gives form to the collective memory of the Kurds and creates from scattered fragments a vital national archive of Kurdish history and culture.
Magna Brava
The global reach of these five women's work has been extraordinary : Eve Arnold in China, Martine Franck on Tory Island off the Irish Coast, Susan Meiselas in New Mexico, Nicaragua, and El Salvador, Inge Morath in New York, Marilyn Silverstone in India, Tibet and Pakistan. The best from each of these assignments appears in this book alongside specially chosen images from the artists' wider portfolios, presenting at least forty major works which document events of global and local importance. All the images focus on the people involved, for example, the threatened Gaelic-speaking community of Tory Island ; or illegal immigrants on the US-Mexico border under violent attack. Each portfolio is introduced by one of the other four photographers, providing an intimate view of the work by a long-term friend and colleague.
