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Windows and Words
Windows and Words is a collection of seventeen essays that confirms and celebrates the artistry of Canadian Children's Literature. There are essays that survey a wealth of English language fiction, from the internationally acclaimed work of Lucy Maud Montgomery, the aboriginal adolescent novel, to the increasingly multi-cultural character of children's books. Others examine book illustration, visual literacy, and the creative partnership seen in the picture book and its art design. With contributions by two Governor General's Award winning authors, Janet Lunn and Tim Wynne-Jones, and a final commentary by Elizabeth Waterson, the heart of this collection offers a unique perspective on the artistry of writing for children and claims a rightful place for Canadian children's literature as literature.
Double-Takes
The widest-ranging exploration to date of the interaction between English Canadian literature and film.
The Picturesque and the Sublime
Winner of the Gabrielle Roy Prize in English and the Raymond Klibansky Prize, The Picturesque and the Sublime is a cultural history of two hundred years of nature writing in Canada, from eighteenth-century prospect poems to contemporary encounters with landscape. Arguing against the received wisdom (made popular by Northrop Frye and Margaret Atwood) that Canadian writers view nature as hostile, Susan Glickman places Canadian literature in the English and European traditions of the sublime and the picturesque. Glickman argues that early immigrants to Canada brought with them the expectation that nature would be grand, mysterious, awesome – even terrifying – and welcomed scenes that confor...
Love Strong as Death
A transcription of Lucy Peel’s wonderfully readable journal was recently discovered in her descendent’s house in Norwich, England. Sent in regular installments to her transatlantic relatives, the journal presents an intimate narrative of Lucy’s Canadian sojourn with her husband, Edmund Peel, an officer on leave from the British navy. Her daily entries begin with their departure as a young, newlywed couple from the shores of England in 1833 and end with their decision to return to the comforts of home after three and a half years of hard work as pioneer settlers. Lucy Peel’s evocative diary focuses on the semi-public world of family and community in Lower Canada’s Eastern Townships,...
Civilizing the Wilderness
Eleven essays explore the dichotomy of "civilizing" and "wilderness" in 1850s Euro-British North America.
Work of Words
John Thurston considers the whole of Moodie's literary output, including her poems, short fiction, novels, and non-fiction, beginning with her youthful writing in England and culminating in an extensive analysis of her best-known work, Roughing It in the Bush. He establishes the biographical foundations of her writing, using recently discovered correspondence, and describes the historical issues and events that shaped her life and writing. Through current historicist and feminist literary criticism, Thurston achieves new insights into Moodie's writing. Locating tensions of class, gender, and race within her work, he places Moodie in both the established tradition of nineteenth-century British women writers and the less-familiar tradition of North American class conflict.
Authority and the Historical Document in Late Twentieth-Century Literature
After the Fact: Authority and the Historical Document in Late Twentieth-Century Literature examines historiographic metafiction’s epistemological concern with the historical document. The six texts herein recover official and neglected documents, viewing history from marginal perspectives endeavoring an ethical reconsideration of dominant historical narratives. Thematically paired chapters focus on eye-witness narratives, legal and official government documents, and news publications. The first two chapters, D.M. Thomas’ The White Hotel with Toni Morrison’s Beloved, explore the writers’ reconsideration of eye-witness accounts, specifically the Holocaust survivor narrative and the sla...
