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Subversive Intent
With this important new book, Susan Suleiman lays the foundation for a postmodern feminist poetics and theory of the avant-garde. She shows how the figure of Woman, as fantasy, myth, or metaphor, has functioned in the work of male avant-garde writers and artists of this century. Focusing also on women's avant-garde artistic practices, Suleiman demonstrates how to read difficult modern works in a way that reveals their political as well as their aesthetic impact. Suleiman directly addresses the subversive intent of avant-garde movements from Surrealism to postmodernism. Through her detailed readings of provocatively transgressive works by André Breton, Georges Bataille, Roland Barthes, Alain...
Authoritarian Fictions
Political ideologies often informed early twentieth-century French novels, creating a hybrid genre that is both "realist" and didactic: the roman thse. In this ground-breaking and critically acclaimed work, Susan Suleiman looks beyond the politics of novels by such authors as Malraux, Mauriac, Sartre, and Aragon, and examines their shared formal and generic features. Although the genre itself is considered antimodern, the critical and interpretive problems it raises are central to an understanding of both realist and modernist writing. "The great virtue of [Suleiman's] book is its ability to synthesize a range of theoretical ideas--whether formalist, structuralist or "reader-response' in the service of a clear and compelling critical argument".--Christopher Norris, The London Review of Books "This book is certainly one of the best examples of semiotic theory put to use for interpretation of literature and its relation to culture".--Thas Morgan, Genre
Crises of Memory and the Second World War
How we view ourselves and how we wish to be seen by others cannot be separated from the stories we tell about our past. In this sense all memory is in crisis, torn between conflicting motives of historical reflection, political expediency, and personal or collective imagination. In Crises of Memory and the Second World War, Susan Suleiman conducts a profound exploration of contested terrain, where individual memories converge with public remembrance of traumatic events. - Jacket flap.
Exile and Creativity
Essays that range chronologically from the Renaissance to the 1990s, geographically from the Danube to the Andes, and historically from the Inquisition to the Holocaust, examine the complexities and tensions of exile, focusing particularly on whether exile tends to block, or to enhance, artistic creativity. 16 photos.
Budapest Diary
In 1993, after the fall of communism and the death of her mother, Suleiman returned to Budapest for a six-month stay. She recounts her ongoing quest for personal history, interweaving it with the stories of present-day Hungarians struggling to make sense of the changes in their individual and collective lives. Suleiman's search for documents relating to her childhood, the lives of her parents and their families, and the Jewish communities of Hungary and Poland takes her on a series of fascinating journeys within and outside Budapest.
Risking who One is
Risking Who One Is shows how the process of self-recognition, even self-construction, in the reading of contemporary work can lead to larger considerations about culture and society - to the dimensions of historical awareness and collective action. The book gives us a new way of looking at issues that are as personal as they are prevalent in the writing, the criticism, and the life of our times.
The Female Body in Western Culture
The female body has occupied a central place in the Western imagination, its images pervading poetry and story, mythology and religious doctrine, the visual arts, and scientific treatises. It has inspired both attraction and fear, been perceived as beautiful and unclean, alluring and dangerous, a source of pleasure and nurturing but also a source of evil and destruction. In The Female Body in Western Culture, twenty-three internationally noted scholars and critics, in specially commissioned essays, explore these representations and their consequences for contemporary art and culture. Ranging from Genesis to Gertrude Stein and Angela Carter, from ancient Greek ritual to the Victorian sleeping cure, from images of the Madonna to modern film and Surrealist art, the essays cover a wide spectrum of approaches and subject mailer. They all converge, however, around questions of power and powerlessness, voice and silence, subjecthood and objectification. And they point the way to the new possibilities and displacements of traditional male-female oppositions. Androgyny in a new key? This book demonstrates that a blurring of gender boundaries does not have to deny difference.
French Global
Recasting French literary history in terms of the cultures and peoples that interacted within and outside of France's national boundaries, this volume offers a new way of looking at the history of a national literature, along with a truly global and contemporary understanding of language, literature, and culture. The relationship between France's national territory and other regions of the world where French is spoken and written (most of them former colonies) has long been central to discussions of "Francophonie." Boldly expanding such discussions to the whole range of French literature, the essays in this volume explore spaces, mobilities, and multiplicities from the Middle Ages to today. ...
The Reader in the Text
A reader may be in" a text as a character is in a novel, but also as one is in a train of thought--both possessing and being possessed by it. This paradox suggests the ambiguities inherent in the concept of audience. In these original essays, a group of international scholars raises fundamental questions about the status--be it rhetorical, semiotic and structuralist, phenomenological, subjective and psychoanalytic, sociological and historical, or hermeneutic--of the audience in relation to a literary or artistic text. Originally published in 1980. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Risking who One is
Susan Suleiman sets forth in this work an exchange with contemporary writers and artists.
