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Fictions of Authority
Annotation Writing from positions of cultural exclusion, women have faced constraints not only upon the "content" of fiction but upon the act of narration itself. Narrative voice thus becomes a matter not simply of technique but of social authority: how to speak publicly, to whom, and in whose name. Susan Sniader Lanser here explores patterns of narration in a wide range of novels by women of England, France, and the United States from the 1740s to the present. Drawing upon narratological and feminist theory, Lanser sheds new light on the history of "voice" as a narrative strategy and as a means of attaining social power.
Fictions of Authority
No detailed description available for "Fictions of Authority".
Silence and Power
Seventeen essayists study this enigmatic author's works--not in the traditional style in which they were first reviewed, but rather through a range of contemporary interpretations that resituate Barnes in the context of literary theory and feminist revisions of modernism. Paper edition (unseen), $13.95. Annotation copyrighted by Book News, Inc., Portland, OR
The Sexuality of History
The period of reform, revolution, and reaction that characterized seventeenth- and eighteenth-century Europe also witnessed an intensified interest in lesbians. In scientific treatises and orientalist travelogues, in French court gossip and Dutch court records, in passionate verse, in the rising novel, and in cross-dressed flirtations on the English and Spanish stage, poets, playwrights, philosophers, and physicians were placing sapphic relations before the public eye. In The Sexuality of History, Susan S. Lanser shows how intimacies between women became harbingers of the modern, bringing the sapphic into the mainstream of some of the most significant events in Western Europe. Ideas about fe...
Borderwork
The first book to assess the impact of feminist criticism on comparative literature, Borderwork recharts the intellectual and institutional boundaries on that discipline and calls for the contextualization of the study of comparative literature within the areas of discourse, culture, ideology, race, and gender.
Narrative Theory Unbound
The first edited collection to bring feminist, queer, and narrative theories into direct conversation with one another, this anthology places gender and sexuality at the center of contemporary theorizing about the production, reception, forms, and functions of narrative texts.
The Strange Gospel
In this literary analysis of the Gospel of John, Resseguie examines rhetoric, setting, character, and plot to uncover the Gospel’s unique point of view. He shows the usefulness of the concepts of defamiliarization and point of view for understanding how the narrator makes the familiar seem strange. A material, familiar point of view that is voiced by the dominant culture is compared with a defamiliarized, strange point of view that is expressed by Jesus and the disenfranchised. Through close readings of narrative texts, the author develops and elaborates the theological perspective of John, which emerges in the clash of differing points of view. The introduction defines “objective” and...
Sent for You Yesterday
Lucy and Carl struggle to prevent the extinction of the Black community of Homewood and to keep alive the musical heritage of the blues piano player, Albert Wilkes.
The Well of Loneliness
This early work by Radclyffe Hall was originally published in 1928 and we are now republishing it with a brand new introductory biography. 'The Well of Loneliness' is a novel that follows an upper-class Englishwoman who falls in love with another woman while serving as an ambulance driver in World War I. Marguerite Radclyffe Hall was born on 12th August 1880, in Bournemouth, England. Hall's first novel The Unlit Lamp (1924) was a lengthy and grim tale that proved hard to sell. It was only published following the success of the much lighter social comedy The Forge (1924), which made the best-seller list of John O'London's Weekly. Hall is a key figure in lesbian literature for her novel The Well of Loneliness (1928). This is her only work with overt lesbian themes and tells the story of the life of a masculine lesbian named Stephen Gordon.
