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William Osborn Stoddard, Lincoln’s “third secretary” who worked alongside John G. Nicolay and John Hay in the White House from 1861 to 1865, completed his autobiography in 1907, one of more than one hundred books he wrote. An abridged version was published by his son in 1955 as “Lincoln’s Third Secretary: The Memoirs of William O. Stoddard.” In this new, edited version, Lincoln’s White House Secretary: The Adventurous Life of William O. Stoddard, Harold Holzer provides an introduction, afterword, and annotations and includes comments by Stoddard’s granddaughter, Eleanor Stoddard. The elegantly written volume gives readers a window into the politics, life, and culture of the m...
'The Stolen Singer' is a novel by Martha Bellinger. We begin the story following a yet to be named woman who is arriving at a clamoring city—New York. To a chance observer, the prospect would have been deeply suggestive; in the woman it stirred many memories. She put back her veil; her face glowed; a long sigh escaped her lips. Slowly she walked down the steps, along the sloping path to a turn, where she sank down on a bench. A rosy, tired child, rather the worse for mud-pies, and hanging reluctantly at the hand of its nonchalant nurse, brought a bit of the woman's emotion to the surface. She smiled radiantly at the lagging infant. The face revealed by the uplifted veil was of a type to ac...
Veteran Barbour Collection compiler Lillian Karlstrand has transcribed the vital records of the five Connecticut towns indicated in the title to this work as Volume 49 in the series. In all, she names about 22,000 persons.
Argues that a strong private economy can reduce unemployment more successfully than government programmes and that job training programmes should reflect the current market. Looks at ways of building and maintaining career ladders for the working poor, the roles of welfare reform and emerging new occupations in the ITC industries, aspects of poverty reduction, and job training in a world of globalization.
Poe is frequently portrayed as an isolated idiosyncratic genius who was unwilling or unable to adapt himself to the cultural conditions of his time. Eliza Richards revises this portrayal through an exploration of his collaborations and rivalries with his female contemporaries. Richards demonstrates that he staged his performance of tortured isolation in the salons and ephemeral publications of New York City in conjunction with prominent women poets whose work sought to surpass. She introduces and interprets the work of three important and largely forgotten women poets: Frances Sargent Osgood, Sarah Helen Whitman, and Elizabeth Oakes Smith. Richards re-evaluates the work of these writers, and of nineteenth-century lyric practices more generally, by examining poems in the context of their circulation and reception within nineteenth-century print culture. This book will be of interest to scholars of American print culture as well as specialists of nineteenth-century literature and poetry.
The first letter received by the author, dated September 9, 1988, is from a former student from 1977 who sends happy-birthday wishes, and condolences for a double tragedy. The last 2 letters are both written Easter Sunday 2010: one, by the author to his friend Rudy. They met in first grade in September 1932; their friendship has lasted 78 years. The other letter is from the youngest of the authors 4 children, his son Matt, who was born in 1959 after 3 daughters. Matt also has 3 daughters, and in his letter conveys unexpected but good news from Austin, Texas. Before the author retires in June 1991from teaching advanced placement English for 40 years at 2 high schools, he corresponds with seve...
First multi-year cumulation covers six years: 1965-70.