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Most of the poems in the first part of this book, "Six Seasons," were written according to formal strictures. They use various sorts of rhyme (internal or at a line-stop) and rhythms that match the motion of their subject matter. I've worked with traditional verse: songs, carols, quatrains, lyrics with refrains, and so on. They follow the seasons of the liturgical year from Advent to the green season of Ordinary Time. The second part of the book, "Leroy James Hopson," is written in free verse in order to allow for the development of a narrative with characters and a setting, an atmosphere and a plot. The entire story takes place during the night of November 10, 1974.
In this book, Curtis Gruenler proposes that the concept of the enigmatic, latent in a wide range of medieval thinking about literature, can help us better understand in medieval terms much of the era’s most enduring literature, from the riddles of the Anglo-Saxon bishop Aldhelm to the great vernacular works of Dante, Chaucer, Julian of Norwich, and, above all, Langland’s Piers Plowman. Riddles, rhetoric, and theology—the three fields of meaning of aenigma in medieval Latin—map a way of thinking about reading and writing obscure literature that was widely shared across the Middle Ages. The poetics of enigma links inquiry about language by theologians with theologically ambitious liter...
In the aftermath of her mother’s suicide, one young woman recognizes the malleability of her reality. From her adolescence in the flat, hot Floridian landscape to a tectonic Missouri adulthood, a girl shaped by grief is compelled to create and manipulate her image of the world. As her dreams become indistinguishable from daily life, she begins to question memory, identity, and the function of love. Employing photography as its central metaphor, Darkroom tackles the tangled relationship between memory and mourning by exploring an artist’s impossible attempt to re-create the object of loss.
"In this revelatory memoir seeking to bridge the gap between science and spirituality, Anna Gazmarian tells the story of how her Evangelical upbringing in North Carolina, provided an inadequate framework to understand the mental health diagnosis she received, and the work she had to do to find proper medical treatment while also maintaining her faith. When Anna is diagnosed with bipolar disorder in 2011, she s faced with a conundrum: while the diagnosis provides clarity about her manic and depressive episodes, growing up in an Evangelical community means that her diagnosis is regarded as an affliction of the spirit rather than a medical condition. Over ten years, we follow Anna on her journey to reframe her understanding of mental health to expand the limits of what her religious faith can offer."--Provided by publisher.
These Intricacies is a book of poems traversing the intersection of family, fatherhood, and faith. Set in shifting, vibrant spaces of a rich Kentucky landscape, and wrought with metaphysical crisis, this collection charts the slow, seismic shifts of growth bound up in understanding the nature of home. Dangling between struggle and tranquility, the poems in These Intricacies evoke a contemplative exploration of masculinity and vocation as the poet and reader journey together to discover and dissolve the discontinuities of how we are loved and how we can love others. .embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }
In a small town under a spell, a child bride prays for the sheriff’s gun. Iron under a bed stops a nightmare. The carousel artist can carve only birds. Part fairy tale and part gothic ballad, Wait spans a single year: the year before a young woman’s marriage. Someone is always watching—from the warehouse, from the woods. And on the outskirts of town, someone new is waiting.
WINNER of the 2021 Thomas Merton Award awarded by The International Thomas Merton Society What if we truly belong to each other? What if we are all walking around shining like the sun? Mystic, monk, and activist Thomas Merton asked those questions in the twentieth century. Writer Sophfronia Scott is asking them today. In The Seeker and the Monk, Scott mines the extensive private journals of one of the most influential contemplative thinkers of the past for guidance on how to live in these fraught times. As a Black woman who is not Catholic, Scott both learns from and pushes back against Merton, holding spirited, and intimate conversations on race, ambition, faith, activism, nature, prayer, friendship, and love. She asks: What is the connection between contemplation and action? Is there ever such a thing as a wrong answer to a spiritual question? How do we care about the brutality in the world while not becoming overwhelmed by it? By engaging in this lively discourse, readers will gain a steady sense of how to dwell more deeply within--and even to love--this despairing and radiant world.
Winner of the 2014 Brittingham Prize in Poetry, selected by Naomi Shihab Nye The word “tyrant” carries negative connotations, but in this new collection, Joanne Diaz tries to understand what makes tyranny so compelling, even seductive. These dynamic, funny, often poignant poems investigate the nature of tyranny in all of its forms—political, cultural, familial, and erotic. Poems about Stalin, Lenin, and Castro appear beside poems about deeply personal histories. The result is a powerful exploration of desire, grief, and loss in a world where private relationships are always illuminated and informed by larger, more despotic forces. Winner, Midwest Book Award for Poetry, Midwest Independent Publishers Association
Hive is a remarkable debut collection of poems about brutality, exaltation, rebellion, and allegiance. Written in the voice of a teenage Mormon girl, these poems wrestle with the widening gulf between her impulse toward faith and her growing doubts about the people who claim to know God's will.
Reprint of ten years of the quarterly newsletter, no. 1-40 (Jan 11, 1988-April 1998).