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An innovative exploration of understanding through dance, Dancing across the Page draws on the frameworks of phenomenology, feminism, and postmodernism to offer readers an understanding of performance studies that is grounded in personal narrative and lived experience. Through accounts of contemporary dance making, improvisation, and dance education, Karen Barbour explores a diversity of themes, including power; activism; and cultural, gendered, and personal identity. An intimate yet rigorous investigation of creativity in dance, Dancing across the Page emphasizes embodied knowledge and imagination as a basis for creative action in the world.
Tracing uranium's past—and how it intersects with our understanding of other radioactive elements—Chain Reactions aims to enlighten readers and refresh our attitudes about the atomic world. Chain Reactions looks at the fascinating, often-forgotten stories that can be found throughout the history of uranium. From glassworks to penny stocks; from medicines to atomic weapons; from something to be feared to a powerful source of energy, this global history explores the scientific narrative of this unique element, but also shines a light on its cultural and social impact. By understanding our nuclear past, we can move beyond the ideological opposition to technologies and encourage a more nuanced dialogue about whether it is feasible—and desirable—to have a genuinely nuclear-powered future.
Cover -- Copyright page -- Contents -- Acknowledgments -- Introduction -- 1 Back to the Future: The Rise of CD-ROM -- 2 In the Realm of Digital Heterotopias: Exploring CD-ROM Space -- 3 A Sensuous Gaze: Interactive Chronophotography and Relation-Images -- 4 A Cinema of One's Own: The Mediumistic Performance of the Female Body -- 5 Spaces of Desire: Mapping and Translating Lesbian Reality -- 6 In Search of Lost Space: Photographic Memories and the Digital Punctum -- Conclusion -- Notes -- Bibliography -- Index
This work brings together humanities writers to explore the potential and peril of reshaping the land, using diverse technologies such as barbed wire, printing and the rail road to meet perceived and possible transitory human needs.
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