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The Making of a Court Society
Table of contents
Arts of Possession
An innovative work of both economic anthropology and literary history, Arts of Possession draws on philosophical, theoretical, literary, historical, and archival sources and insights to situate the household at the center of the social and cultural imagination of fourteenth-century England. D. Vance Smith argues that in a period commonly represented as precapitalist there actually existed a sophisticated economic discourse -- and that discourse underlies common forms of representation and the writing of literary texts. His work provides a new historiography of capital and of the development of the relation between economic sophistication and cultural practices. Smith reads well-known and less-appreciated works -- such as Winner and Waster, Sir Launfal, The Canterbury Tales, and Piers Plowman -- for what they can tell us about the surpluses and economies that drew the medieval imagination, and about the complex ethics of possession at the heart of the fourteenth-century household. In bringing this to light, Smith's book itself becomes an eloquent meditation on the poetics and ethics of possession.
The Art of the Network
Writing letters to powerful people to win their favor and garner rewards such as political office, tax relief, and recommendations was an institution in Renaissance Florence; the practice was an important tool for those seeking social mobility, security, and recognition by others. In this detailed study of political and social patronage in fifteenth-century Florence, Paul D. McLean shows that patronage was much more than a pursuit of specific rewards. It was also a pursuit of relationships and of a self defined in relation to others. To become independent in Renaissance Florence, one first had to become connected. With The Art of the Network, McLean fills a gap in sociological scholarship by...
The Limits of History
History casts a spell on our minds more powerful than science or religion. It does not root us in the past at all. It rather flatters us with the belief in our ability to recreate the world in our image. It is a form of self-assertion that brooks no opposition or dissent and shelters us from the experience of time. So argues Constantin Fasolt in The Limits of History, an ambitious and pathbreaking study that conquers history's power by carrying the fight into the center of its domain. Fasolt considers the work of Hermann Conring (1606-81) and Bartolus of Sassoferrato (1313/14-57), two antipodes in early modern battles over the principles of European thought and action that ended with the tri...
A Contrite Heart
Between the middle of the eighth century and the late ninth century in western Europe, the course of legal history was shaped by interaction with religious ideas, especially with regard to the meaning of confession, suffering, and the balance of protections for an accused individual and the welfare of the community. This book traces those themes through a selection of Carolingian texts, such as archbishop Hincmar's legal analysis of a royal divorce, the decrees of church councils, the biography of a Saxon holy woman, anti-Judaic treatises, and Hrotswitha's dramatisation of the legend of Thaïs, in order to make audible the lively debates over the boundaries of clerical and lay authority, the nature and extent of permissible intervention in the spiritual condition of the empire's inhabitants, and distinctions between the private and public domains. This work thus reveals the profound relation between law and penitential ideologies promoted by the Carolingian imperial court.
Legal Stagings
In this book, a group of lawyers and legal historians help to identify the new Nordic legal map, which is under construction. This book is a collection of papers addressing legal staging, and most of the articles combine theoretical approaches to the visuality of law with practical experiences and effects. The texts show that law is so much more than law in action and law in books: law is also part of a visual culture. It contributes to that culture and is, in turn, analyzed, maintained, and criticized by that culture. At the same time, the cultural manifestations of law change the way we understand law and, thus, change law itself.
Time, Space, and Women’s Lives in Early Modern Europe
This collection offers a variety of approaches to aspects of women’s lives. It moves beyond men’s prescriptive pronouncements about female nature to women's lived experiences, replacing the singular woman with plural women and illuminating female agency. The contributors show that women’s lives changed over the life course and differed according to region and social class. They also demonstrate that in the early modern period the largely private spaces in women’s lives were not enclosed worlds isolated from the public spaces in which men operated. Contributors to this important collection are leading international scholars and offer strong, substantial, and archival-based research.
Understanding the Sources of Early Modern and Modern Commercial Law
The contributions of Understanding the Sources of Early Modern and Modern Commercial Law: Courts, Statutes, Contracts, and Legal Scholarship show the wealth of sources which historians of commercial law use to approach their subject. Depending on the subject, historical research on mercantile law must be ready to open up to different approaches and sources in a truly imaginative and interdisciplinary way. This, more than many other branches of law, has always been largely non-state law. Normative, ‘official’, sources are important in commercial law as well, but other sources are often needed to complement them. The articles of the volume present an excellent assemblage of those sources. Anja Amend-Traut, Albrecht Cordes, Serge Dauchy, Dave De ruysscher, Olivier Descamps, Ricardo Galliano Court, Eberhard Isenmann, Mia Korpiola, Peter Oestmann, Heikki Pihlajamäki, Edouard Richard, Margrit Schulte Beerbühl, Guido Rossi, Bram Van Hofstraeten, Boudewijn Sirks, Alain Wijffels, and Justyna Wubs-Mrozewicz.
Right and Left in Early Christian and Medieval Art
Robert Couzin’s Right and Left in Early Christian and Medieval Art is the first in-depth study of handedness, position, and direction in the visual culture of Europe and Byzantium from the fourth to the fourteenth century. Heretofore largely unnoticed or ignored, the pre-eminence of the right and lapses or intentional departures from that norm in medieval imagery are relevant to such major themes as iconography, visuality, reception, narrative, form, gender, production, and patronage. The author’s investigation of right and left in visual culture is informed by modern experimental research on laterality and contextualized within prevailing theological doctrines and socio-cultural practices. Illustrations in the text are complemented by hundreds more made available on Brill's Arkyves platform here. See inside the book.
Order and Chivalry
Knighthood and chivalry are commonly associated with courtly aristocracy and military prowess. Instead of focusing on the relationship between chivalry and nobility, Jesús D. Rodríguez-Velasco asks different questions. Does chivalry have anything to do with the emergence of an urban bourgeoisie? If so, how? And in a more general sense, what is the importance of chivalry in inventing and modifying a social class? In Order and Chivalry, Rodríguez-Velasco explores the role of chivalry in the emergence of the middle class in an increasingly urbanized fourteenth-century Castile. The book considers how secular, urban knighthood organizations came to life and created their own rules, which diffe...
