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Includes songs by Buddhist nuns, testimonies of medieval rebel poets and court historians, and the voices of more than 60 other writers of the 18th and 19th centuries. Among the diverse selections are a rare early essay by an untouchable woman; an account by the first feminist historian; and a selection from the first novel written in English by an Indian woman.
Religious Identity and Political Destiny: "Hindutva" in the Culture of Ethnicism is an ethnography of a contentious on-going debate about the place of religion in Indian civic life. Exploring Hindu nationalism from the varied perspectives of its critics in women's activist and Left intellectual circles, its ideologues, supporters, and sympathizers, Deepa S. Reddy locates "Hindutva" in a broader culture of critique in which identity movements of all kinds compete for recognition, representation, and rights. This book will be of interest to anthropologists, historians, and sociologists, as well as readers of ethno-nationalist movements, religion, activism, global feminisms, and all matters Indian/South Asian.
This book works at the intersection of two related yet different fields. One is the heterogeneous feminist effort to question universal forms of knowing. The second field follows from this conundrum: how does one think of the body when s/he speaks of embodiment? ‘Toward a Politics of the (Im)Possible’ engages the forefront of contemporary thought on the body, while remaining mindful of the requirements of a feminist approach.
The Book Places A Body Of Women S Fiction Against The Ideological Territory Of Radical Feminism With A Firm Belief In Its Social, Political And Intellectual Essentiality. The Absence Of This Specific Discourse In Women S Texts Stirs An Urge For A Different Kind Of Gender Sensitivity Than Their Limited And Undefined Approach Provides. The Book Takes Into Its View A Huge Compendium Of Women S Fiction In Hindi And In Indian English, Most Of Which Has Been Victim Of Hegemonic Biases And Overall Marginalization.
The present volume is a highly comprehensive assessment of the postcolonial short story since the thirty-six contributions cover most geographical areas concerned. Another important feature is that it deals not only with exclusive practitioners of the genre (Mansfield, Munro), but also with well-known novelists (Achebe, Armah, Atwood, Carey, Rushdie), so that stimulating comparisons are suggested between shorter and longer works by the same authors. In addition, the volume is of interest for the study of aspects of orality (dialect, dance rhythms, circularity and trickster figure for instance) and of the more or less conflictual relationships between the individual (character or implied auth...
DIVA theoretically informed cultural study of the design, production, and circulation of Indian calendar art./div
This book retraces the formation of modern English Studies by departing from philological scholarship along two lines: in terms of institutional histories and in terms of the separation of literary criticism and linguistics.
This book examines the status of English Studies in India, aspirations pinned on the subject by students, teachers, policy-makers and society in general, and how these are addressed at the higher education level. It presents analytical background discussions of the history and policy environment, and offers open-ended, multi-faceted and multi-vocal accounts of particular aspects of contemporary Indian English Studies, including curriculum, pedagogy, research, employment, relation to Indian vernaculars and translation studies. Reconsidering English Studies in Indian Higher Education is an invaluable source for anyone interested in: The relevant histories and higher education policies Professi...
"Genres of Modernity maps the conjunctures of critical theory and literary production in contemporary India. The volume situates a sample of representative novels in the discursive environment of the ongoing critical debate on modernity in India, and offers for the first time a rigorous attempt to hold together the stimulating impulses of postcolonial theory, subaltern studies and the boom of Indian fiction in English." "Combining close readings of literary texts from Salman Rushdie to Kiran Nagarkar with a wide range of philosophical, sociological and historiographic reflections, Genres of Modernity is of interest not only for students of postcolonial literatures but for academics in the fields of Cultural Studies at large."--BOOK JACKET.
The designation "Lord Who Is Half Woman" refers to the androgynous Hindu god Ardhanarisvara (also known as Siva-Sakti). While iconographical aspects of this significant image have been addressed, the complex theological, philosophical, and social implications inherent in a dual gendered deity have not. This book provides the first extensive study of the influence of Ardhanarisvara, exploring four distinct areas of Indian culture, namely iconography, hatha yoga, devotional poetry (bhakti), and mythology. Ellen Goldberg also offers a feminist analysis of the ways in which "male" and "female" have been constructed in this image and the various representations pertaining to the broader gender implications of an androgynous deity.