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This is a translation by Dennis Weber, edited by John Wheeler and jointly published with King David's Harp, in which a noted French musicologist argues that the accentual system preserved in the Masoretic Text was originally a method of recording hand signals (chironomy) by which temple musicians were directed in the performance of music. She explains her reconstruction of these notations which has allowed her to perform haunting and beautiful music around the worlds using only the Hebrew text as a score.
Why did Pythagoras pause outside a Blacksmith's workshop? Can the nature of Harmony really be understood visually? Why do harmonies leave gaps or 'commas' when added together? In this charming little book Anthony Ashton uses a Victorian device called a Harmonograph to tell the story of Harmony and the intervals in the scale. With useful appendices and exquisite line drawings this is a unique and original introduction to this timeless subject. WOODEN BOOKS are small but packed with information. "e;Fascinating"e; FINANCIAL TIMES. "e;Beautiful"e; LONDON REVIEW OF BOOKS. "e;Rich and Artful"e; THE LANCET. "e;Genuinely mind-expanding"e; FORTEAN TIMES. "e;Excellent"e; NEW SCIENTIST. "e;Stunning"e; NEW YORK TIMES. Small books, big ideas.
Edward Goodrick's classic guide introduces the alphabets and basic elements of Greek and Hebrew grammar. With this foundation, the student is encouraged to use some basic language tools, including analytical, lexicons, interlinears, concordances, and commentaries.
A Comprehensive music appreciation method
This is a revised edition of a classroom guide for students learning to read the Hebrew Bible. It contains a simple discussion of the masoretic tradition, the critical apparatus of BHS, the Masora, the accents, unusual letters and other markings."
Contemporary or traditional? Blended or seeker? Pop or "classical"? Chorus or hymn? Combo or organ? Questions concerning music in worship abound these days. Is there a practical way to deal with these issues?In "Music and Ministry: A Biblical Counterpoint," Calvin Johansson looks to God's Word for principles foundational to music ministry. Weaving together great scriptural truths, he establishes the need for a "directional balance" between pastoral contextualization and prophetic purity. In a time of facile musical accommodation of the gospel to culture, Dr. Johansson suggests that a heightened concern for musical style and quality is in order" not for the sake of music, but for the sake of the gospel.
An eminent scholar explores the evolution of music, from the ecstatic singing of early civilizations to the development of more structured styles in Egypt, East Asia, Rome, and other regions.
Contains: Equidistant letter sequences in the book of Genesis / Doron Witztum, Eliyahu Rips, and Yoav Rosenberg.