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Eudora Welty
In this definitive account of the life of one of the finest writers of the 20th century, Marrs restores Eudora Welty's story to human proportions, tracing Welty's history from her roots in Jackson, Mississippi, to her rise to international stature.
One Writer's Imagination
In One Writer's Imagination, Suzanne Marrs draws upon nearly twenty years of conversations, interviews, and friendship with Eudora Welty to discuss the intersections between biography and art in the Pulitzer Prize winner's work. Through an engaging chronological and comprehensive reading of the Welty canon, Marrs describes the ways Welty's creative process transformed and transfigured fact to serve the purposes of fiction. She points to the sparks that lit Welty's imagination -- an imagination that thrived on polarities in her personal life and in society at large. Marrs offers new evidence of the role Welty's mother, circle of friends, and community played in her development as a writer and...
Meanwhile There Are Letters
*2016 Edgar Award Finalist* *2016 Anthony Award Finalist* *2016 Macavity Award Finalist* In 1970, Ross Macdonald wrote a letter to Eudora Welty, beginning a thirteen-year correspondence between fellow writers and kindred spirits. Though separated by background, geography, genre, and his marriage, the two authors shared their lives in witty, wry, tender, and at times profoundly romantic letters, each drawing on the other for inspiration, comfort, and strength. They brought their literary talents to bear on a wide range of topics, discussing each others' publications, the process of translating life into fiction, the nature of the writer’s block each encountered, books they were reading, and...
What There Is to Say We Have Said
Letters revealing a lost literary world—and a unique friendship between a brilliant author and a New Yorker editor. For over fifty years, Eudora Welty and William Maxwell, two of our most admired writers, penned letters to each other. They shared their worries about work and family, literary opinions and scuttlebutt, and moments of despair and hilarity. Living half a continent apart, their friendship was nourished and maintained by their correspondence. What There Is to Say We Have Said bears witness to Welty and Maxwell’s editorial relationship—both in Maxwell’s capacity as New Yorker editor and in their collegial back-and-forth on their work. It’s also a chronicle of the literary...
The Burning House
Cover -- Half Title -- Title -- Copyright -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. The Briar Patch -- 2. The White Mare -- 3. Inner Conflict -- 4. Invisible Man -- 5. The Color Curtain -- 6. Intruder in the Dust -- 7. Fire Next Time -- 8. Everything That Rises Must Converge -- 9. Who Speaks for the Negro? -- 10. The Demonstrators -- 11. Mockingbirds -- 12. The Cantos -- 13. Regents v. Bakke -- 14. The Last Lynching -- 15. Beyond the Peacock -- 16. Missouri v. Jenkins -- Conclusion -- Notes -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- W
Faulkner, Welty, Wright
Contributions by Anita DeRouen, Susan V. Donaldson, Julia Eichelberger, W. Ralph Eubanks, Sarah Gilbreath Ford, Bernard T. Joy, John Wharton Lowe, Anne MacMaster, Rebecca Mark, Suzanne Marrs, Donnie McMahand, Kevin Murphy, Harriet Pollack, Annette Trefzer, Jay Watson, and Ryoichi Yamane Working closely in each other’s orbit in Mississippi, William Faulkner, Eudora Welty, and Richard Wright created lasting portraits of southern culture, each from a distinctly different vantage point. Taking into consideration their personal, political, and artistic ways of responding to the histories and realities of their time and place, Faulkner, Welty, Wright: A Mississippi Confluence offers comparative ...
Eudora Welty and Mystery
Contributions by Jacob Agner, Sarah Gilbreath Ford, Katie Berry Frye, Michael Kreyling, Andrew B. Leiter, Rebecca Mark, Suzanne Marrs, Tom Nolan, Michael Pickard, Harriet Pollack, and Victoria Richard Eudora Welty’s ingenious play with readers’ expectations made her a cunning writer, a paramount modernist, a short story artist of the first rank, and a remarkable literary innovator. In her signature puzzle-texts, she habitually engages with familiar genres and then delights readers with her transformations and nonfulfillment of conventions. Eudora Welty and Mystery: Hidden in Plain Sight reveals how often that play is with mystery, crime, and detective fiction genres, popular fiction form...
Tell about Night Flowers
Tell about Night Flowers presents previously unpublished letters by Eudora Welty, selected and annotated by scholar Julia Eichelberger. Welty published many of her best-known works in the 1940s: A Curtain of Green, The Wide Net, The Robber Bridegroom, Delta Wedding, and The Golden Apples. During this period, she also wrote hundreds of letters to two friends who shared her love of gardening. One friend, Diarmuid Russell, was her literary agent in New York; the other, John Robinson, was a high school classmate and an aspiring writer who served in the Army in WWII, and long the focus of Welty's affection. Welty's lyrical, witty, and poignant discussions of gardening and nature are delightful in...
Serious Daring
Serious Daring is the story of the complementary journeys of two American women artists, celebrated fiction writer Eudora Welty and internationally acclaimed photographer Rosamond Purcell, each of whom initially practiced, but then turned from, the art form ultimately pursued by the other. For both Welty and Purcell, the art realized is full of the art seemingly abandoned. Welty’s short stories and novels use images of photographs, photographers, and photography. Purcell photographed books, texts, and writing. Both women make compelling art out of the seeming tension between literary and visual cultures. Purcell wrote a memoir in which photographs became endnotes. Welty re-emerged as a photographer through the publication of four volumes of what she called her “snapshots,” magnificent black-and-white photographs of small-town Mississippi and New York City life. Serious Daring is a fascinating look at how the road not taken can stubbornly accompany the chosen path, how what is seemingly left behind can become a haunting and vital presence in life and art.
Eudora Welty, Whiteness, and Race
Faced with Eudora Welty's preference for the oblique in literary performances, some have assumed that Welty was not concerned with issues of race, or even that she was perhaps ambivalent toward racism. This collection counters those assumptions as it examines Welty's handling of race, the color line, and Jim Crow segregation and sheds new light on her views about the patterns, insensitivities, blindness, and atrocities of whiteness. Contributors to this volume show that Welty addressed whiteness and race in her earliest stories, her photography, and her first novel, Delta Wedding. In subsequent work, including The Golden Apples, The Optimist's Daughter, and her memoir, One Writer's Beginning...
