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‘A timely book and a conversation starter on race in Britain.’ Rachel Edwards, Author of Darling and Lucky ‘A timely book in a year that has made clear that Britain still has a very long way to go towards becoming the model of racial equality it aims to be.’ Kenya Hunt ‘Powerful and sometimes painful testimonies but they also provide uplifting and enriching experiences.’ Stephen Bourne ‘I'm so proud to hold this book in my hand. We are here in all our richness.’ Adjoa Andoh, Actor, Director ‘This book is such a moving read for everyone of all ages and races.’ Colin Jackson, CBE ‘A reinforcement of evocative truths that hurt and sting deeply but also empower tremendously...
A Guide to British television programmes shown at Christmas time, throughout the years.
Modern British Playwriting: The 1980s equips readers with a fresh assessment of the theatre and principle playwrights and plays from a decade when political and economic forces were changing society dramatically. It offers a broad survey of the context and of the playwrights and companies such as Complicité and DV8 that rose to prominence at this time. Alongside this it provides a detailed examination based on fresh research of four of the most significant playwrights of the era and considers the influence they had on later work. The 1980s volume features a detailed study by four scholars of the work of four of the major playwrights who came to prominence: Howard Barker (by Sarah Goldingay)...
While standing on the seminary altar in Cambridge next to the first ordained Episcopal woman priest, Anne Ierardi was touched by the Spirit with an extraordinary power: a call to ordination. Could she leave Catholicism, the faith of her childhood, and find a home in a new church? Could she be assertive and holy enough as a leader without going back into the closet? In her inspiring memoir, Coming Alive, Ierardi recounts how she lived through the early days of gay, feminist, and religious liberation, facing cultural, gender, and sexual orientation prejudices. Along the way she survived losses in her extended Italian family and found her voice as an artist. A story of courage, persistence, and authenticity, Coming Alive will speak to people of diverse faith and cultural backgrounds—including “spiritual not religious,” LGBTQ, women, artists, therapists—providing inspiration for our journeys through time, identity, and development.
First Published in 1998. Performing Arts International provides a forum for a wide range of writing concerning theory and practice of time-based arts around the world. This is Volume 1, Part 2 and includes a collection of articles and papers from the Black Theatre in Higher Education Conference in London April 1994 including topics as a black aesthetic, developments, arts education and cultural diversity, trends in Black writing for the theatres, and young practitioners.
With roots as deep as the earliest years of the American colonies, Yarmouth has a long and colorful history that is still being written. When Stephen Hopkins built his home with permission from the court of Plymouth Colony, Yarmouth was already home to native peoples. Bounded on its north and south sides by the Atlantic Ocean, it is no surprise that ship captains, salt makers, and merchants are part of the towns early history. Later, artists, writers, and educators also became part of the scene. The artist Edward Gorey chose Yarmouth for his home, as did astronaut Daniel Burbank. Jazzman Lou Colombo and town administrator Robert Lawton have also made their marks on the community. Yarmouths distinct neighborhoods are a source of pride, and historic preservation is a prime concern to many. The towns annual October gathering is called the Seaside Festival, to let one and all know that the people of Yarmouth are very much aware of their connection to the Atlantic.
Global Entertainment Media offers a unique perspective on entertainment media worldwide. As one of the first comprehensive books to address entertainment mass media worldwide, it addresses students as TV watchers and takes them to new places, both geographically and intellectually. Editor Anne Cooper-Chen has gathered an international group of scholars to explore such concepts as psychology, gratifications, and effects of media entertainment and its relation to national cultures, as well as to discuss the business of international TV trade by transnational media corporations. In this volume, experts discuss the content, audiences, and cultural and legal aspects of their respective countries,...
Taking a fresh new approach to the subject of how Australian society is structured and governed, this series explains some of the key roles in Australian civic life, from that of ordinary citizens to those of Members of Parliament, the Prime Minister and Governor-General. The titles explain the rights, responsibilities and privileges of individuals in each social position, and the relationships that exist between the Prime Minister, the Governor-General, Members of Parliament and private citizens. An excellent resource for civic studies, the series provides a comprehensive introduction to the law-making process, and insight into how the government and wider Australian society function.
This book marks a significant methodological shift in studies of black British women’s theatre: it looks beyond published plays to the wealth of material held in archives of various kinds, from national repositories and themed collections to individuals’ personal papers. It finds there a cache of unpublished manuscripts and production recordings distinctive for their non-naturalistic aesthetics. Close analysis of selected works identifies this as an intersectional feminist creative practice. Chapters focus on five theatre companies and artists, spanning several decades: Theatre of Black Women (1982-1988), co-founded by Booker Prize-winning writer Bernardine Evaristo; Munirah Theatre Comp...