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It is by now an obvious observation that much of the world depends on information technology. Our infrastructure relies on IT: our buildings, finance systems, roads, airplanes, cars, televisions, washing machines and bread makers; as does much of what we do: our banking, learning and communicating. Almost everyone today uses information technology, but few know how it works, and very few indeed understand the mysteries of how to build new systems. This imbalance between ‘users’ and ‘knowers’ grows worse every year. With the ‘dot com collapse’, the number of students studying computers, and information technology more generally, has been shrinking steadily. In the long run, this t...
'Participatory Practice in Space, Place, and Service Design' is premised on a belief in the importance of participatory practices in finding creative solutions to the plethora of problems we face today. It argues that engaging professions with the public in mutual exploration, analysis, and creative thinking is essential. It not only ensures better quality products, places, services, and a greater sense of civic agency but also facilitates fuller access to them and the life opportunities they can unleash. This book offers a uniquely varied perspective of the myriad ways in which participatory practices operate across disciplines and how they impact the worlds and communities we create and in...
This fully revised new edition probes the state of Australian higher education and its future. Peter Coaldrake and Lawrence Stedman's seminal and comprehensive analysis of the challenges faced by the higher education sector has been updated with revisions and a new chapter that addresses current policy and proposed reforms. They argue that neither the market nor central government will be able to shape higher education in an optimal way. Facing greater competition and reduced prospects for public funding, universities themselves must provide the impetus and take responsibility for change as they adapt to complex and uncertain futures.
A Companion to Modern Art presents a series of original essays by international and interdisciplinary authors who offer a comprehensive overview of the origins and evolution of artistic works, movements, approaches, influences, and legacies of Modern Art. Presents a contemporary debate and dialogue rather than a seamless consensus on Modern Art Aims for reader accessibility by highlighting a plurality of approaches and voices in the field Presents Modern Art’s foundational philosophic ideas and practices, as well as the complexities of key artists such as Cezanne and Picasso, and those who straddled the modern and contemporary Looks at the historical reception of Modern Art, in addition to the latest insights of art historians, curators, and critics to artists, educators, and more
Explores our developing participatory online culture, establishing the core principles which drive the rise of collaborative content creation in environments, from open source through blogs and Wikipedia to Second Life. Argues that what is emerging is no longer just a new form of content production, but a new process for the continuous creation and extension of knowledge and art by collarborative communities: produsage.
This book is the first scientific study to focus on awards in architecture and the built environment investigating their exponential growth since the 1980s. The celebration of excellence in architecture and related fields remains a phenomenon on which there is strangely little scientific scrutiny. What is to be understood from the plethora of award-winning projects, award-winning buildings and awarded professional practices in the built environment, year after year? Glossy images partake in an intense ballet at every local, regional, national or international award ceremony and they are meant to embody proofs of architectural excellence. However, it is necessary to take a critical distance t...
This book explores the intricate interplay between physical spaces and psychological landscapes in the works of Irish-American author Maeve Brennan. Brennan’s writing is now classed amongst the most important of twentieth-century Irish women’s fiction, having undergone a significant reclamation and reappraisal in the 30 years since her death. Single and childfree for most of her life, Brennan eschewed the securities of family and home, experiencing an "otherness" that she shared with her fellow New Yorkers, many of them left, she wrote, hanging on to a city half-capsized––“most of them still able to laugh as they cling to the island that is their life’s predicament.” It is a suitably ambiguous expression for a writer who cultivated an interstitial existence, whose stories inhere within a dream cycle of reiterative pasts, and whose works augment and elevate the canon of radical Irish fiction.
In almost every country in the world, there is a tradition of basketmaking, using plants that are indigenous to that particular area. But today, the plastic bag and cardboard box have replaced the basket's role of years gone by. However, there is something quite irresistible about the smell and the tactile appeal of a country hedgerow basket which is not only home-made but is sometimes even home-grown. This book aims to revive interest in the traditinal and useful craft of basketmaking. Susie Vaughan offers a fascinating, step-by-step description of how to make a delightful selection of strong, natural-looking and colourful baskets, mostly using materials which have been gathered from hedger...
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It was our version of a Hollywood epic, shot in black and white over a ten year period, with no script and a cast of thousands who had to make it up as they went along. Tommy Steele, Cliff Richard, Lonnie Donegan, Terry Dene, Marty Wilde, Mickie Most, Lionel Bart, Tony Sheridan, Billy Fury, Joe Brown, Wee Willie Harris, Adam Faith, John Barry, Larry Page, Vince Eager, Johnny Gentle, Jim Dale, Duffy Power, Dickie Pride, Georgie Fame and Johnny Kidd were just a few of those hoping to see their name in lights. From the widescreen perspective of one who watched the story unfold, Pete Frame traces the emergence of rock music in Britain, from the first stirrings of skiffle in suburban pubs and jazz clubs, through the primitive experimentation of teenage revolutionaries in the coffee bars of Soho, to the moulding and marketing of the first generation of television idols, and the eventual breakthrough of such global stars as the Beatles and the Rolling Stones. Castic and irreverent, but authoritative and honest, this is the definitive story.