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'Deeply honest and brave . . . A sincere and intelligent act of self-questioning . . . Hansen is doing something both rare and necessary' - Hisham Matar, New York Times In the wake of the 9/11 attacks and the invasion of Iraq, Suzy Hansen was enjoying success as a journalist for a New York newspaper. Increasingly, though, the disconnect between the chaos of world events and the response at home took on pressing urgency for her. Seeking to understand the Muslim world that had been reduced to scaremongering headlines, she moved to Istanbul. Hansen arrived in Istanbul with romantic ideas about a city perched between East and West, and a naïve sense of the Islamic world beyond. Over the course ...
SHORTLISTED FOR THE BAILLIE GIFFORD PRIZE 2017 'An eye-opening, well-written and very timely book' Yuval Noah Harari 'The best sort of book for our disordered days: timely, urgent and illuminating' Pankaj Mishra 'It strikes a blow...for common humanity' Sunday Times The Muslim world has often been accused of a failure to modernise and adapt. Yet in this sweeping narrative and provocative retelling of modern history, Christopher de Bellaigue charts the forgotten story of the Islamic Enlightenment – the social movements, reforms and revolutions that transfigured the Middle East from the early nineteenth century to the present day. Modern ideals and practices were embraced across the region, including the adoption of modern medicine, the emergence of women from purdah and the development of democracy. The Islamic Enlightenment looks behind the sensationalist headlines in order to foster a genuine understanding of Islam and its relationship to the West. It is essential reading for anyone engaged in the state of the world today.
THE SUNDAY TIMES BESTSELLER 'Life-filled and life-affirming history, steeped in romance and written with verve' GUARDIAN 'Richly entertaining and impeccably researched' Peter Frankopan Istanbul has always been a place where stories and histories collide and crackle, where the idea is as potent as the historical fact. From the Qu'ran to Shakespeare, this city with three names - Byzantium, Constantinople, Istanbul - resonates as an idea and a place, and overspills its boundaries - real and imagined. Standing as the gateway between the East and West, it has served as the capital of the Roman, Byzantine, Latin and Ottoman Empires. For much of its history it was known simply as The City, but, as ...
'If you read one book about India, read this one.' Geeta Anand, Pulitzer Prize-winner and author of The Cure 'Mountain Tales is a remarkable feat of immersive reporting and story-telling, a deeply-felt exploration of ideas, and a gripping chronicle of the fates of the garbage-pickers of Mumbai ... I loved this book.' Suzy Hansen, author of Notes on a Foreign Country All of Mumbai's memories and castaway possessions come to die at the Deonar garbage mountains. And among these vast, teetering piles of discarded things - medical waste, rotten food, old clothes, broken glass and twisted metal - a small, forgotten community lives and works. Scouring the dump for whatever can be resold or recycled, waste pickers also mark the familiar milestones of babies born, love found, illnesses suffered and recovered from. Like a mirror image, their stories are shaped by the influx of unwanted things from the world outside. But now, as Deonar's toxic halo becomes undeniable, a change is coming. And as officials try to close it, the lives that the pickers have built on the Mountain seem more fragile than ever.
Music, myth, and horror blend in this romantic, “eerie…atmospheric” (Publishers Weekly) fantasy debut about a teen girl who must fight a powerful evil that’s invaded her Prince Edward Island home—perfect for fans of An Enchantment of Ravens. There’s a certain wild magic in the salt air and the thrum of the sea. Beet MacNeill has known this all her life. It added spice to her childhood adventures with her older cousin, Gerry, the two of them thick as thieves as they explored their Prince Edward Island home. So when Gerry comes up the path one early spring morning, Beet thinks nothing of it at first. But he is soaking wet and silent, and he plays a haunting tune on his fiddle that ...
Navigate the darkest corridors of humanity with Machete Season–a harrowing saga that dusts off the grim truths of the Rwandan Genocide. Rewind to April-May 1994, as the Tutsis face the unimaginable horror of annihilation under their fellow Hutu's brutal reign. The author, Jean Hatzfeld, painstakingly pieces together the chilling accounts shared by nine Hutu executioners. Recounted are not just tales of horror, but a frightening display of the dehumanizing banality of evil. This revelation doubles as a probing exploration of the mechanisms of mass murders and their remorseless orchestrators. Delve into their candid confessions about the dreadful slaughter of approximately 50,000 Tutsis, the...
A Westerner writing about Istanbul “comes up against the Orient as a European or American first, as an individual second,” writes Edward Said. The American writers gathered in this collection are approached from the willed double perspective advocated by Said: as historically and culturally positioned observers and as individuals. Looking at texts by writers who do not necessarily define themselves as Orientalists, Kim Fortuny broadens the possible ways of thinking about this complex, idiosyncratic city of the world. In addition, the author’s close critical readings of the works of eight American writers who came to Istanbul and wrote about it offer a transnational approach to American writing that urges a loosening of a collective, national grip on literature as a product of place. This volume will be an invaluable addition to the history of literature.
A language barrier is no match for love. Lauren Collins discovered this firsthand when, in her early thirties, she moved to London and fell for a Frenchman named Olivier—a surprising turn of events for someone who didn’t have a passport until she was in college. But what does it mean to love someone in a second language? Collins wonders, as her relationship with Olivier continues to grow entirely in English. Are there things she doesn’t understand about Olivier, having never spoken to him in his native tongue? Does “I love you” even mean the same thing as “je t’aime”? When the couple, newly married, relocates to Francophone Geneva, Collins—fearful of one day becoming "a Bor...
From former NPR Moscow correspondent Gregory Feifer comes an incisive portrait that draws on vivid personal stories to portray the forces that have shaped the Russian character for centuries-and continue to do so today. Russians explores the seeming paradoxes of life in Russia by unraveling the nature of its people: what is it in their history, their desires, and their conception of themselves that makes them baffling to the West? Using the insights of his decade as a journalist in Russia, Feifer corrects pervasive misconceptions by showing that much of what appears inexplicable about the country is logical when seen from the inside. He gets to the heart of why the world's leading energy pro...
“[This Is What We Do] is...Atlas Shrugged jammed in reverse and with the tires smoked. It's Ayn Rand for people with a brain. And a gun. It's a kick. Read it.” —Sean Beaudoin, author of You Killed Wesley Payne and The Infects James Nethery is at the end of his rope. Unable to find meaning in his comfortable life, he has cut himself off from everyone and fled to Paris. His mission; to rid himself of a lifetime of baggage, erase the past, and start over. He wanders Paris aimlessly until he meets Lily, a Ukrainian model and hooker. They form a unique bond, and together take the first steps toward writing new stories of their lives. Soon, Lily’s past catches up with her and they are forced to go on the lam in a strange country. Together they must decide between justice and vengeance, and, when forced to take action, between what is too much—and not enough. This Is What We Do is part neo–noir thriller, part love story, and part cautionary tale of the perils of trying to write a new life from nothing—and the stories that will be written for you by others if you find yourself in the public eye.