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In the light of the current housing and environmental crisis and increasing social inequalities, there is a growing sense of urgency for architecture as a discipline to engage with the transformation in housing evident in the postwar period. Rather than conceiving this task as a technical matter, this book proposes to reassess the conditions and legacy of this large and ubiquitous housing stock. By foregrounding the mismatch between constructed cultural, social and ideological narratives and the everyday realities of residents, the contributors rediscover some of the tropes of modern housing, such as the impact of technological innovations or the often overlooked character of open spaces, an...
A cultural history of gigantism in architecture and digital culture, from the Eiffel Tower to the World Trade Center. The gigantic is everywhere, and gigantism is manifest in everything from excessively tall skyscrapers to globe-spanning digital networks. In this book, Henriette Steiner and Kristin Veel map and critique the trajectory of gigantism in architecture and digital culture—the convergence of tall buildings and networked infrastructures—from the Eiffel Tower to One World Trade Center. They show how these two forms of gigantism intersect in the figure of the skyscraper with a transmitting antenna on its roof, a gigantic building that is also a nodal point in a gigantic digital in...
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Bogen om arkitekten Grethe Meyer er en levende og personlig fortælling om et komplekst og arbejdsomt kvindeliv i en tid, hvor den moderne tilværelse skulle indrettes ude i de mange små lejligheder og nybyggede parcelhuse. Grethe Meyer kæmpede for at forene sine kompromisløse ambitioner med familieliv og kompliceret kærlighed, og biografien er en kilde til forståelse for hendes designs og deres væsentlighed i den tid, de skriver sig ind i. Grethe Meyer var en af de få kvinder, som insisterede på sit talent og sine ideer, og hun gav os bl.a. Boligens Byggeskabe og servicerne ‘Blåkant’ og ’Ildpot’, der stod på rekordmange danske spiseborde gennem flere årtier. Hun var enlig...
Coping with post-industrial brownfields is an issue throughout Europe and North America. A point of departure for their broad rediscovery in Germany was the refurbishment of an abandoned steelworks from 1990 on by Peter Latz which subsequently became Duisburg Nord Landscape Park. There, industrial relics were not demolished or converted but perceived as integral parts of the overall concept and then imbued with new meaning and use. Many additional projects with a similar approach were created in the past decades, among them Parc del Clòt in Barcelona, Parque do Tejo e Trancão in Lisbon or Michel Desvigne's Parc aux Angéliques in Bordeaux, currently under construction. This book does not only describe a systematic framework for the use of post-industrial ruins it also contextualizes them in design history. The author, professor for landscape design at Copenhagen University, covers a wide range of topics, linking 19th century Romanticism's preoccupation with ruins to industrial decline (exemplified by Detroit) and then on to the subsequent Renaissance of the transformed landscape and its refound beauty.
The landscape biography of the Carlsberg site contributes to a refined understanding that can take many aspects of an industrial site into account in future redevelopment processes.
In this book, the author develops a relational concept of space that encompasses social structure, the material world of objects and bodies, and the symbolic dimension of the social world. Löw’s guiding principle is the assumption that space emerges in the interplay between objects, structures and actions. Based on a critical discussion of classic theories of space, Löw develops a new dynamic theory of space that accounts for the relational context in which space is constituted. This innovative view on the interdependency of material, social, and symbolic dimensions of space also permits a new perspective on architecture and urban development.