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Jewish Philosophical Politics in Germany, 1789-1848
In this book Rose illuminates the extraordinary creativity of Jewish intellectuals as they reevaluated Judaism with the tools of a German philosophical tradition fast emerging as central to modern intellectual life. While previous work emphasizes the "subversive" dimensions of German-Jewish thought or the "inner antisemitism" of the German philosophical tradition, Rose shows convincingly the tremendous resources German philosophy offered contemporary Jews for thinking about the place of Jews in the wider polity. Offering a fundamental reevaluation of seminal figures and key texts, Rose emphasizes the productive encounter between Jewish intellectuals and German philosophy. He brings to light both the complexity and the ambivalence of reflecting on Jewish identity and politics from within a German tradition that invested tremendous faith in the political efficacy of philosophical thought itself.
Jewish Philosophical Politics in Germany, 1789–1848
"Fresh look at how Jewish intellectuals thought about Judaism within a German philosophical tradition"--
Nexus 5
Special volume treating exemplars of the vast number of texts arising from historic and imaginary encounters between Jews and non-Jewish Germans, from the early modern period to the present.
Making German Jewish Literature Anew
In Making German Jewish Literature Anew, Katja Garloff traces the emergence of a new Jewish literature in Germany and Austria from 1990 to the present. The rise of new generations of authors who identify as both German and Jewish, and who often sustain additional affiliations with places such as France, Russia, or Israel, affords a unique opportunity to analyze the foundational moments of diasporic literature. Making German Jewish Literature Anew is structured around a series of founding gestures: performing authorship, remaking memory, and claiming places. Garloff contends that these founding gestures are literary strategies that reestablish the very possibility of a German Jewish literatur...
German Ways of War
German Ways of War explores the production of novel spaces and evocation of new affects in the war-film genre between the 1910s and 2000s. Beyond the conventional pairing of visuality and violence, war films combine mobility, landscape, territory, scales, and topological networks into "affective geographies" that interweave narratively-generated affect, space, and political processes.
Middlebrow Literature and the Making of German-Jewish Identity
For generations of German-speaking Jews, the works of Goethe and Schiller epitomized the world of European high culture, a realm that Jews actively participated in as both readers and consumers. Yet from the 1830s on, Jews writing in German also produced a vast corpus of popular fiction that was explicitly Jewish in content, audience, and function. Middlebrow Literature and the Making of German-Jewish Identity offers the first comprehensive investigation in English of this literature, which sought to navigate between tradition and modernity, between Jewish history and the German present, and between the fading walls of the ghetto and the promise of a new identity as members of a German bourgeoisie. This study examines the ways in which popular fiction assumed an unprecedented role in shaping Jewish identity during this period. It locates in nineteenth-century Germany a defining moment of the modern Jewish experience and the beginnings of a tradition of Jewish belles lettres that is in many ways still with us today.
The Icon Curtain
The Iron Curtain did not exist. Instead, it comprised multiple regional segments, many in the grip of divergent historical and cultural forces for decades, if not centuries. The first cultural studies account of the border's landscape, 'The Icon Curtain' straddles the Bohemian Forest to uncover a far-reaching genealogy of one such section and debunk the stereotype of the unprecedented mid-twentieth-century partition. There, between the 1950s and 1980s, West German locals and Sudeten German expellee newcomers shaped a civilian rampart, the 'prayer wall'.
Passing Illusions
Challenges the notion that Weimar Jews sought to be invisible or indistinguishable from other Germans by "passing" as non-Jews
Sites of the Uncanny
Sites of the Uncanny: Paul Celan, Specularity and the Visual Arts is the first book-length study that examines Celan’s impact on visual culture. Exploring poetry’s relation to film, painting and architecture, this study tracks the transformation of Celan in postwar German culture and shows the extent to which his poetics accompany the country’s memory politics after the Holocaust. The book posits a new theoretical model of the Holocaustal uncanny – evolving out of a crossing between Celan, Freud, Heidegger and Levinas – that provides a map for entering other modes of Holocaust representations. After probing Celan’s critique of the uncanny in Heidegger, this study shifts to the translation of Celan’s uncanny poetics in Resnais’ film Night and Fog, Kiefer’s art and Libeskind’s architecture.
The Tongue-Tied Imagination
Winner, 2021 African Literature Association First Book Award Should a writer work in a former colonial language or in a vernacular? The language question was one of the great, intractable problems that haunted postcolonial literatures in the twentieth century, but it has since acquired a reputation as a dead end for narrow nationalism. This book returns to the language question from a fresh perspective. Instead of asking whether language matters, The Tongue-Tied Imagination explores how the language question itself came to matter. Focusing on the case of Senegal, Warner investigates the intersection of French and Wolof. Drawing on extensive archival research and an under-studied corpus of no...
