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Hamann's Prophetic Mission
DJohann Georg Hamann (1730-88) was one of the most radical and sophisticated critics of the German Enlightenment. The three late works Konxompax, Metakritik uber den Purismum der Vernunft and Golgatha und Scheblimini!, written between 1779 and 1784, are polemics against iconic texts by the Enlightenment luminaries Lessing, Kant and Mendelssohn. This diverse and rich material, ranging from the Fragmentenstreit to Kant's first Critique, is refracted through Hamann's radical Lutheranism, with freemasonry and the pagan mystery religions adding lurid apocalyptic highlights. Hamann's idiosyncratic style and heavily intertextual manner of composition give his works a fascinating and teasing complexity and put his writing at odds with the period's preferred ideals of ease and elegance. For these reasons, he is a standing provocation to our assumptions about the 18th century.
Hamann and the Tradition
Recent years have witnessed a resurgence of scholarly interest in the work of Johann Georg Hamann (1730–1788), across disciplines. New translations of work by and about Hamann are appearing, as are a number of books and articles on Hamann’s aesthetics, theories of language and sexuality, and unique place in Enlightenment and counter-Enlightenment thought. Edited by Lisa Marie Anderson, Hamann and the Tradition gathers established and emerging scholars to examine the full range of Hamann’s impact—be it on German Romanticism or on the very practice of theology. Of particular interest to those not familiar with Hamann will be a chapter devoted to examining—or in some cases, placing—Hamann in dialogue with other important thinkers, such as Socrates, David Hume, Friedrich Nietzsche, Martin Buber, Franz Rosenzweig, and Ludwig Wittgenstein.
Lend Me Your Ear
"Brueggemann's assault upon this long-standing rhetorical conceit is both erudite and personal; she writes both as a scholar and as a hard-of-hearing woman. In this broadly based study, she presents a profound analysis and understanding of rhetorical tradition's descendent disciplines that continue to limit deaf people, such as audiology and speech/language pathology.
Scripture and Theology
The academic disciplines of Biblical Studies and Systematic Theology were long closely linked to one another. However, in the modern period they became gradually separated which led to increasing subject specialization, but also to a lamentable lacuna within the various branches of Divinity. As the lack of dialogue between Biblical Studies and the various theological disciplines increased, a minority-group of scholars in the past few decades reacted and sought to re-establish the time-honoured bonds between the disciplines. The present volume is part of this intellectual response, with contributions from scholars of various professional and denominational backgrounds. Together, the book's 25 chapters seek to reinvigorate the crucial cross-disciplinary dialogue, involving biblical, narrative, historical, systematic-theological and philosophic-theological perspectives. The book opens the horizon to contemporary research, and fills a lamentable research gap with a number of fresh contributions from scholars in the respective sub-disciplines
A History of Ambiguity
Ever since it was first published in 1930, William Empson’s Seven Types of Ambiguity has been perceived as a milestone in literary criticism—far from being an impediment to communication, ambiguity now seemed an index of poetic richness and expressive power. Little, however, has been written on the broader trajectory of Western thought about ambiguity before Empson; as a result, the nature of his innovation has been poorly understood. A History of Ambiguity remedies this omission. Starting with classical grammar and rhetoric, and moving on to moral theology, law, biblical exegesis, German philosophy, and literary criticism, Anthony Ossa-Richardson explores the many ways in which readers ...
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The Self as Muse
While there are countless philosophical and psychological studies that focus on sources of the self, narcissism has found relatively little attention in a pre-Freudian context. The Self as Muse fills this gap by examining various aspects of narcissism and their significance for the outpouring of creativity in late eighteenth and nineteenth-century German literature. In many Eighteenth-century works of the period narcissism refers to the creation of an idealized image of the self and the desire to merge with this image. It provided an impetus for poetic production as writers resorted to the Greek myth of Narcissus to express what they perceived as the inner workings of their soul. Yet they we...
After Enlightenment
After Enlightenment: Hamann as Post-Secular Visionary is a comprehensive introduction to the life and works of eighteenth-century German philosopher, J. G. Hamann, the founding father of what has come to be known as Radical Orthodoxy. Provides a long-overdue, comprehensive introduction to Haman's fascinating life and controversial works, including his role as a friend and critic of Kant and some of the most renowned German intellectuals of the age Features substantial new translations of the most important passages from across Hamann's writings, some of which have never been translated into English Examines Hamann's highly original views on a range of topics, including faith, reason, revelat...
Eins
Das Buch beschreibt eine spannende und humorvolle Geschichte rund um zwei Serienkiller, die im Sommer 2012 in Stuttgart umgehen und von einem ungleichen Trio der örtlichen Kriminalpolizei gejagt werden. Die Ermittler der Kriminalpolizei Stuttgart Kurt Schockenried, Dennis Rathvan und Tatjana von Senden, erhalten Unterstützung durch die Profilerin Jessica Dornfeld vom LKA Baden-Württemberg. Während Kurt um seinen Ruf, Dennis mit seinem unzuverlässigen Mitbewohner, Tatjana mit sich selbst, und alle zusammen gegen einen merkwürdigen Geruch im Polizeipräsidium kämpfen, verfolgen sie Spuren durch die ganze Stadt. Trumpf führt den Leser durch einen temporeichen Plot an zahlreiche bekannte und weniger bekannte Schauplätze im Kessel und darüber hinaus. Durchaus blutig aber nie geschmacklos oder voyeuristisch.
