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Caravaggio
The young Michelangelo Merisi da Caravaggio (1571–1610) created a major stir in late-sixteenth-century Rome with the groundbreaking naturalism and highly charged emotionalism of his paintings. One might think, given the vast number of books that have been written about him, that everything that could possibly be said about the artist has been said. However, the author of this book argues, it is important to take a fresh look at the often repeated and widely accepted narratives about the artist’s life and work. Sybille Ebert-Schifferer subjects the available sources to a critical reevaluation, uncovering evidence that the efforts of Caravaggio’s contemporaries to disparage his character...
Still Life
Taken together it is one of the great epic stories of Western art history.
Sacred Possessions
This innovative study explores how interpretations of religious art change when it is moved into a secular context.
Deceptions and Illusions
Catalogue of an exhibition held at the National Gallery of Art, Washington, D.C., Oct. 13, 2002-Mar. 2, 2003.
The Two Art Histories
Many museum professionals today believe that university-based art history focuses too much on theory and the social agency of art, neglecting the aesthetic dimensions of the art object. Conversely, many academics feel that museums have become preoccupied with the quest for money and audiences, making them an increasingly unlikely source of innovative scholarship. In this provocative book, seventeen eminent figures from both sides of the art world--museum professionals and university scholars--explore the questions underlying the often tense relationship between the two main branches of the discipline.
Caravaggio
Caravaggio was on a defiant mission to change the art world. Before him, there were pastel-colored idealized visions, polite paintings for a polite society. After him, there were slews of imitators, trying to grasp his brilliant slashes of light and dark, his people who looked more like your neighbor than a model of perfection. Bold with his brush, the young rebel was equally brash in his life, picking fights and getting arrested for things as silly as throwing a plate of artichokes in a waiter's face. Until he faced the ultimate punishment, condemned for a murder he didn't commit—at least not intentionally.
Caravaggio and Pictorial Narrative
HMSBA is Harvey Miller Studies in Baroque Art.
Art and Illusions
None
Leonardo the Artist
"Two of Leonardo's notebooks, having been officially lost since 1830, were rediscovered in the Biblioteca Nacional, Madrid, in 1965... On the basis of the wealth of new material in the notebooks, a group of the world's leading Vincians contributed to a reassessment of the many facets of Leonardo's genius, a large-scale collection of essays, which was published as The Unknown Leonardo. The present book...is reprinted in smaller format from that voluminous work"--from Introduction (page 7).
Caravaggio and Paintings of Realism in Malta
In July 1608, Caravaggio was invested with the habit of Magistral Obedience by Alof de Wignacourt, Grand Master of the Knights of Malta. In honouring Caravaggio, the Grand Master thought that he would thus keep the artist firmly attached to the Order of St John, hoping that the Order would find glory through his art: 'we wish to gratify the desire of this excellent painter, so that our Island Malta, and our Order may at last glory in this adopted disciple and citizen' (extract from the document of Caravaggio's investiture). The artist, however, soon fell out of grace and was deprived of his knighthood in the very same year. Malta had thus, strictly speaking, 'lost' Caravaggio. Caravaggio's p...
