You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Set in London and in the South of France, this brilliantly structured novel centers on two women: Gertrude Openshaw, bereft from the recent death of her husband, yet awakening to passion; and Anne Cavidge, who has returned in doubt from many years in a nunnery, only to encounter her personal Christ. A fascinating array of men and women hover in urgent orbit around them: the "Count," a lonely Pole obsessively reliving his émigré father's patriotic anguish; Tim Reede, a seedy yet appealing artist, and Daisy, his mistress; the manipulative Mrs. Mount; and many other magically drawn characters moving between desire and obligation, guilt and joy. This edition of "Nuns and Soldiers" includes a new introduction by renowned religious historian Karen Armstrong.
Is the historical novel the outmoded genre that some people imagine--form inseparable from romanticism, nationalism, and the nineteenth century? In this stimulating volume, Margaret Scanlan answers a convincing "no," as she demonstrates the relevance of historical novels by well-known figures such as Anthony Burgess, John le Carr, Graham Greene, Doris Lessing, Iris Murdoch, and Paul Scott, as well as by less well established writers such as Joseph Hone and Thomas Kilroy. Scanlan shows what a skeptical, experimental approach to the relationship between history and fiction these writers adopt and how radically they depart from the mimetic conventions usually associated with historical novels. ...
Since 1991, Wimbledon School of Art has organized a series of conferences at the Tate Gallery around fine art education, theory, and practice. This volume includes the papers from the conferences in 1995, 1996, 1997, and 1998, in which artists, dealers, critics, writers, and art historians joined with those working within art schools to provide new perspectives on topics such as fine art education and the museum, the changing role of the art school, the intentions of the contemporary artist, and the future of fine art.The many contributors include Christopher Frayling, Victoria Miro, Jake and Dinos Chapman, Adrian Searle, Richard Wentworth, Tracey Emin, Cornelia Parker, Richard Wollheim, Patricia Bickers, Marjorie Allthorpe Guyton, Matthew Collings, and Mel Gooding.
Clear, easy-to-follow descriptions of basic and advanced techniques, principles of good design, new developments.
None
The IBSS is the essential tool for librarians, university departments, research institutions and any public or private institution whose work requires access to up-to-date and comprehensive knowledge of the social sciences.
A magazine of tales, travels, essays, and poems.