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The second book in a fun new series about two sisters who love ballet! Sylvie and Bonnie are sisters who love to dance, but Sylvie is too young for ballet school. One day, Sylvie follows Bonnie to class and can't help peeping her head in! Miss Trisha sees her. "Can you point your toes?" she asks. With her sister's encouragement, Sylvie steps into the spotlight and proves herself a dedicated ballerina ready for lessons. Sylvie earns a spot in Miss Amy's ballet class, and Bonnie congratulates her with a present--her own leotard and tights! Acclaimed author and illustrator Jan Ormerod pairs simple text with charming illustrations for a fun easy-to-read story.
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
"... offers a range of approaches to cinema's explorations of a hidden or absent God through a group of essays by thirty-five writers who discuss some fifty movies"--p. 11.
An exciting new approach to understand the trade of antiquities in early modern Rome traces the journey of objects from discovery to display. Barbara Furlotti presents a dynamic interpretation of the early modern market for antiquities, relying on the innovative notion of archaeological finds as mobile items. She reconstructs the journey of ancient objects from digging sites to venues where they were sold, such as Roman marketplaces and antiquarians’ storage spaces; to sculptors’ workshops, where they were restored; and to Italian and other European collections, where they arrived after complicated and costly travel over land and sea. She shifts the attention away from collectors to peas...