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The Bounty from the Beach
The Bounty from the Beach is a collection of cross-disciplinary essays, capitalising on a widely shared fascination for the Bounty story in order to draw scholarly attention to Oceania. It aims to reorient the Bounty focus away from the West, where most Bountynarratives and studies have emerged, to the Pacific, where most of the original events unfolded. It investigates the Bounty heritage from the standpoint of the beach, Greg Dening’s metaphor for culture contact and conflict in the Pacific Islands: this liminal place that transforms Islanders and voyagers, islands and ships, each time it is crossed. It analyses the way newcomers create new islands, and how these changes may occasionally...
The Ebb Tide
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Oceania and the Victorian Imagination
Oceania, or the South Pacific, loomed large in the Victorian popular imagination. It was a world that interested the Victorians for many reasons, all of which suggested to them that everything was possible there. This collection of essays focuses on Oceania’s impact on Victorian culture, most notably travel writing, photography, international exhibitions, literature, and the world of children. Each of these had significant impact. The literature discussed affected mainly the middle and upper classes, while exhibitions and photography reached down into the working classes, as did missionary presentations. The experience of children was central to the Pacific’s effects, as youthful encount...
Robert Louis Stevenson
The book consists of a series of discussions of the prose fiction of Robert Louis Stevenson, from his first book, New Arabian Nights, to the last short novel published in his lifetime, The Ebb-Tide. All his best-known novels are covered, as well as a selection of his lesser-known works. The focus is on the works themselves, rather than on Stevenson's admittedly fascinating life, which is touched on only so as to provide a context for his writing. It is arranged by the dates when the works were written, rather than when they were published, so as to provide an outline sketch of his career as a writer. The emphasis is on the diversity and energy of Stevenson's creativity, without seeking to overemphasize distinctions frequently applied to him in the past, such as that between his 'stories for boys' and books apparently written for adults.
Hybridity
Over the last two decades, the unstable notion of hybridity has been the focus of a number of debates in cultural and literary studies, and has been discussed in connection with such notions as métissage, creolization, syncretism, diaspora, transculturation and in-betweeness. The aim of this volume is to form a critical assessment of the scope, significance and role of the notion in literature and the visual arts from the eighteenth century to the present day. The contributors propose to examine the development and various manifestations of the concept as a principle held in contempt by the partisans of racial purity, a process enthusiastically promoted by adepts of mixing and syncretism, b...
Mutiny, Mayhem, Mythology
In 1789, as the Bounty was sailing through the western Pacific Ocean on its return voyage with a cargo of Tahitian plants, disgruntled crewmen seized control of the ship from their captain. The mutineers set their captain and the 18 men who remained loyal to him adrift in one of the ship’s boats, with minimal food supplied and navigational aids, and only four cutlasses for weapons. For the past 225 years, the story of the Bounty's voyage has captured the public's imagination. Two compelling characters emerge at the forefront of the mutiny: Lieutenant William Bligh, and his deputy – and ringleader of the mutiny – Acting Lieutenant Fletcher Christian. One is a villain and the other a her...
South Seas Encounters
South Seas Encounters examines several key types of encounters between the many-faceted worlds of Oceania, Britain and the United States in the formative nineteenth century. The eleven essays collected in this volume focus not only on the effect of the two powerful, industrialized colonial powers on the cultures of the Pacific, but the effect of those cultures on the Western cultural perceptions of themselves and the wider world, including understanding encounters and exchanges in ways which do not underemphasize the agency and consequences for all participating parties. The essays also provide insights into the causes, unfolding, and consequences for both sides of a series of significant ethnographic, political, cultural, scientific, educational, and social encounters. This volume makes a significant contribution to increasing scholarly interest in Oceania’s place in British and American nineteenth-century cultural experiences. South Seas Encounters investigates these significant interactions and how they changed the ways that Oceanic, British, and American cultures reflected on themselves and their place in the wider world.
Island Time
The task of living in modern New Zealand – and especially in modern Auckland – is not just to understand how to live with different peoples, but how to adapt to the future that has already happened. New Zealand is a nation that exists on Pacific Islands, but does not, will not, perhaps cannot, see itself as a Pacific Island nation. Yet turning to the Pacific, argues Damon Salesa, enables us to grasp a fuller understanding of what life is really like on these shores. After all, Salesa argues, in many ways New Zealand’s Pacific future has already happened. Setting a course through the ‘islands’ of Pacific life in New Zealand – Ōtara, Tokoroa, Porirua, Ōamaru and beyond – he charts a country becoming ‘even more Pacific by the hour’. What would it mean, this far-sighted book asks, for New Zealand to recognise its Pacific talent and finally act like a Pacific nation?
Ethnographic Narratives as World Literature
This book links world-literary studies with anthropology and ethnography. It shows how ethnographic narratives can represent a compelling point of departure for world-literary explorations. The volume compares the travel writing and fiction of Robert Louis Stevenson and Rudyard Kipling as colonial ethnographic narratives; the militant writings of Carlo Levi and Mahasweta Devi; and the travelogues and ethnographic fiction of Amitav Ghosh and the literary journalism of Frank Westerman. Each of these readings focuses on a set of social, political and historical circumstances and relies on a dialogue with anthropological theory and history. This book demonstrates how imperialism, colonialism, capitalism and ecology are interdependent, and contributes to methodological debates within both anthropology and world-literary studies.
Shipwreck and Island Motifs in Literature and the Arts
The motifs of island and shipwreck have been present in literature and the arts from ancient times. Whether they occur as plot elements, as part of literary or film imagery, as symbols in paintings, as leitmotifs in songs, or as concepts in philosophical theories, both have always been a source of fascination to authors, artists and scholars. In Shipwreck and Island Motifs in Literature and the Arts, Brigitte Le Juez and Olga Springer have gathered essays that explore shipwreck and island figures in texts as historically, culturally and artistically diverse as Walter Scott’s The Lord of the Isles, Cristina Fernández Cubas’ “The Lighthouse”, reality TV series Treasure Island, pop songs of the BBC Radio programme Desert Island Discs, or The Otolith Group’s essay-film Hydra Decapita.
