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"This short book offers a dazzling new interpretation of Paul Klee's most famous work: his Angelus Novus (1920), which was purchased by Walter Benjamin and became the model for his Angel of History, a figure saturated with Jewish mysticism that he introduces in his "Theses on the Philosophy of History." In 2014 the celebrated American artist R. H. Quaytman made a surprising discovery about Klee's work when she examined it at the Jewish Museum in Israel. She realized that Klee had carefully pasted the Angelus down over another image, a face, leaving just a finger's breadth of it showing. Through forensic science and lots of sleuthing it was determined that face belonged to Martin Luther. Behind the Angel of History tells the story of how Quaytman solved the mystery of who lurks behind Klee's angel. It then plunges into questions about why a face long hidden beneath another picture might matter. The book travels through a tangle of loaded conversations among images-from Klee's Angelus to Benjamin's own drawing of a crucified angel, from Klee's Angelus to Quaytman's own layered panels meditating on its secret"--
A new analysis of Surrealist collage in France, leading to a radical reassessment of Surrealism.
A la fois scientifique, artistique et philosophique, La Lumiere au siecle des lumieres et aujourd'hui vise a confronter l'evolution de la connaissance et du developpement des techniques a celle de l'art et du gout, en s'appuyant sur les recherches et les decouvertes effectuees au XVIIIe siecle. La presentation simultanee d'oeuvres d'art, d'objets et de documents scientifiques, leur integration a l'histoire des idees, illustrent l'impact du developpement du savoir et de la methode scientifique dans l'evolution des mentalites qui conduisit a la mise en place d'une societe civile republicaine et democratique. Neurobiologiste, Jean-Pierre Changeux est professeur au College de France et a l'Institut Pasteur et membre de l'Academie des sciences.
Presents European war prints, dated 1500 to 1825, from the collection of the Sarah Campbell Blaffer Foundation.
Throughout his life, Picasso turned to the work of earlier masters for inspiration, making paintings, drawings, and prints after their compositions. Susan Grace Galassi, a specialist on Picasso, discusses the most significant examples of these works
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First published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
Cet ouvrage est une réédition numérique d’un livre paru au XXe siècle, désormais indisponible dans son format d’origine.