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A monologue of Hendrickje Stoffels, the woman with whom the great artist, Rembrandt lived for the last twenty years of his life.
A forceful study of Islamophobia in Europe in an age of populism and pandemic, considering survival strategies for Muslims on the basis of Qur’an, Hadith, and the Islamic theological, legal and spiritual legacy.
For the first time in the literary tradition, the contemporary woman's historical novel (post-1970) is surveyed from a transnational feminist perspective. Analyzing the maternal (the genre's central theme) reveals that historical fiction is a transnational feminist means for challenging historical erasures, silences, normative sexuality, political exclusion, and divisions of labor. (Series: Contributions to Transnational Feminism - Vol. 5)
Combining the practical knowledge of a renowned director with the perspective of a historian and media specialist, Christian Delage explores the conditions and consequences of using film for the purposes of justice and memory by examining archival footage from war crime trials from Nuremberg to the present.
Through an in-depth case study, Some Kind of Justice offers fresh insights about two questions now the subject of robust debate: What goals can we plausibly assign to international criminal tribunals? What factors determine the impact of distant courts on societies that have seen vicious violence? The book offers a timely and original account of how the International Criminal Tribunal for the former Yugoslavia (ICTY) affected local communities, and the factors that shape its changing impact over time.
Imagining Global Amsterdam gaat over het beeld van Amsterdam in film, literatuur, visuele kunst en in het moderne stedelijke discours, in het bijzonder in de context van de mondialisering. De essays gaan onder andere dieper in op Amsterdam als een lieu de mémoire van de vroeg-moderne wereldhandel. Wat betekent deze herinnering in de hedendaagse cultuur? Waarom verwijzen zo veel contemporaine films en romans naar dit verleden terug? Ook het (inter)nationale imago van Amsterdam als een multicultureel en ultra-tolerant ‘%x;global village’%x; komt aan bod. Waarom is dit beeld zo persistent, en hoe heeft het zich in de loop van de laatste decennia ontwikkeld? Tot slot wordt ingegaan op de vraag hoe mondialiseringsprocessen ingrijpen in de stadscultuur, zoals in het prostitutiegebied op de Wallen en via de erfgoedindustrie. Hoe manifesteert de mondialisering zich in de stad, en welke rol speelt beeldvorming daarbij? Deze bundel vormt een rijk geschakeerd onderzoek naar de relatie tussen Amsterdam, mondialisering en stedelijke beeldvorming. Marco de Waard is als docent literatuurwetenschap verbonden aan het Amsterdam University College.
When pregnant Rosie Carpe, her fatherless five-year-old son in tow, arrives in Guadeloupe looking for her elusive brother, Lazare, the world already seems a plenty confusing place. Could the man who comes to meet her, an elegant black man calling himself Lagrand, actually be her disheveled white brother? Are her parents, who abandoned her in Paris, rediscovering themselves in an outrageous second youth of outlandish affairs, or have they simply lost their minds? And does Rosie have a hope of slipping the sticky grasp of her former employer and seducer, who moonlights as a video pornographer? If it seems unlikely that the feckless Lazare, missing for five years as he followed his own twisted path, might help, or that carnivalesque Guadeloupe, where murder and mayhem are the natural outcomes of ?business ventures,? might be the place for Rosie to find peace, then Marie NDiaye may have a few surprises in store for her reader. Amid the blurring boundaries and shifting values, the indistinct realities and confusing certainties of Rosie Carpe, a love story unfolds, and all that is ambiguous and tenuous?in short, all of Rosie?s world?is underpinned with a measure of tenderness.
This guide features a full listing of Amsterdam's bars, brown cafes, restaurants and nightclubs, as well as accommodation to suit any traveller. There are accounts giving insight into well-known sights such as Anne Frank's house and lesser-known attractions, from Indonesian restaurants to Art-Deco hotels. There are critical listings on the best places to stay, from hostels, to houseboats to upmarket hotels. The final section of the guide includes articles on Amsterdam's history, arts and literature.
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Charles Matton's perfect small-scale reconstructions are a disruptive yet profoundly bewitching glimpse of our physical and private world. Charles Matton (1931-2008) was a French painter, sculptor, photographer, stage designer, screenwriter, and producer. An extraordinary, multifaceted artist, Matton explored the many possibilities of visual and written expressions, only to become more aware of their limitations. His desire to create reality--and not merely represent it--led him to design, build, paint, and weave in order to reconstitute over 200 striking three-dimensional scenes of our everyday life, drawing from imaginative literary fiction, trompe l'oeil techniques, mirror illusions, and Dutch and American realist painting. His miniature boxes or "space reconstructions" will be featured at the exhibition Otherworldly: Optical Delusions and Small Realities (June 7-September 18, 2011) at the Museum of Arts and Design in New York.