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THE SENSATIONAL NO.1 BESTSELLER 'The definitive book of the year in our house, for both parents and offspring' Maggie O'Farrell, Guardian Books of the Year 'Absolutely beautiful - get one for yourself and one to inspire a woman in your life' Stylist 'In an ideal world, not only would mothers read this aloud to their daughters, but teachers would read it to schoolboys' Sunday Times What if the princess didn't marry Prince Charming but instead went on to be an astronaut? What if the jealous step sisters were supportive and kind? And what if the queen was the one really in charge of the kingdom? Illustrated by sixty female artists from every corner of the globe, Good Night Stories for Rebel Girls introduces us to one hundred remarkable women and their extraordinary lives, from Ada Lovelace to Malala, Amelia Earhart to Michelle Obama. Empowering, moving and inspirational, these are true fairy tales for heroines who definitely don't need rescuing.
The Handbook of Polish, Czech, and Slovak Holocaust Fiction aims to increase the visibility and show the versatility of works from East-Central European countries. It is the first encyclopedic work to bridge the gap between the literary production of countries that are considered to be main sites of the Holocaust and their recognition in international academic and public discourse. It contains over 100 entries offering not only facts about the content and motifs but also pointing out the characteristic fictional features of each work and its meaning for academic discourse and wider reception in the country of origin and abroad. The publication will appeal to the academic and broader public i...
This edited collection presents the complex theory of kitsch from aesthetic and artistic points of view, transposed into managerial and organisational fields. In the spirit of management aesthetics, on the ground of humanistic management, the central aim of the volume is to show that kitsch is a common phenomenon not only in art and culture but also in management, and its conscious perception and mindful use may be beneficial for achieving organisational and managerial goals efficiently. Due to the diverse research problems covered by particular chapters, no unified methodology is applied in the book; every author applied an optimal method for the selected topic. However, due to the complex ...
This collection situates Woolf in relation to the past, exploring her rich and varied heritage from a variety of fields while also assessing her own literary and biographical legacy.
"Zanna Sloniowska writes beautifully; with empathy, sensitivity, and with real political impact . . . an important new voice in Polish literature" OLGA TOKARCZUK, Nobel Prize-winning author of Flights "Remarkable, a gripping, Lvivian evocation of a city and a family across a long and painful century . . . A novel of life and survival across the ages" PHILIPPE SANDS, author of East West Street Amid the turbulence of 20th century Lviv, meet four generations of women from the same fractious family, living beneath one roof and each striving to find their way across the decades of upheaval in an ever-shifting city. First there is Great-Granma, tiny and terrifying, shaped by a life of exile, hards...
Reading contemporary women’s writing as melancholy texts highlights their often under-explored neuralgic nature and emancipatory value. These “strangers in their own lands,” as most recent Polish women writers and their work were described, are the subject of detailed analysis in this book, and are also positioned as the mirrors in which those lands are reflected. From this perspective, the melancholic strands in women’s writing are drawn together to provide a diagnosis of the current situation in Poland, taking into account unwanted discourses, unwelcomed subjects and unresolved problems. Melancholic Migrating Bodies offers the first systematic overview of Poland’s literary and cultural environment after 1989 from the perspective of women’s writing. It critically surveys the various political and social transformations of this period through a close reading of the foremost Polish female novelists. In this original way, the book adopts a fresh perspective on some of the country’s key questions, such as Catholicism, nationalism, the patriotic ethos, history, romantic mythology and the problem of memory.
Perverse Memory and the Holocaust presents a new theoretical approach to the study of Polish memory bystanders of the Holocaust. Drawing on psychoanalytic theory, it examines representations of the Holocaust in order to explore the perverse mechanisms of memory at work, in which surface a series of phenomena difficult to remember: the pleasure derived from witnessing scenes of violence, identification with the German perpetrators of violence, the powerful fear of revenge at the hands of Jewish victims, and the adoption of the position of genocide victims. Moving away from the focus of previous psychoanalytic studies of memory on questions of mourning, melancholy, repressed memory, and loss, this volume considers the transformation of the collective identity of those who remained in the space of past Holocaust events: bystanders, who partook in the events and benefited from the extermination of the Jews. A critique of ‘perverse memory’ that hampers attempts to work through what is remembered, this book will be of interest to scholars across the social sciences working in the fields of Holocaust studies, memory studies, psychoanalytic studies, and cultural studies.
The literary scholar Alfrun Kliems explores the aesthetic strategies of Eastern European underground literature, art, film and music in the decades before and after the fall of communism, ranging from the ‘father’ of Prague Underground, Egon Bondy, to the neo-Dada Club of Polish Losers in Berlin. The works she considers are "underground" in the sense that they were produced illegally, or were received as subversive after the regimes had fallen. Her study challenges common notions of ‘underground’ as an umbrella term for nonconformism. Rather, it depicts it as a sociopoetic reflection of modernity, intimately linked to urban settings, with tropes and aesthetic procedures related to Su...
Aktivisten og forfatteren Sylwia Chutnik tager læseren med på en byvandring i Warszawa for med byen som udgangspunkt at fortælle de polske kvinders historie
Fragment monografii: „Wśród nazw autoidentyfikujących zarysowuje się podział związany z użyciem rzeczowników konkretnych albo abstrakcyjnych. W pierwszym zbiorze etykiet […] dominują rzeczowniki konkretne, wskazujące na jednostki oraz pojęcia nawiązujące do sytuacji politycznej. Drugi zbiór […] skupia z kolei etykiety zawierające nazwę abstrakcyjnej wartości pojmowanej autotelicznie, niejednostkowo. […] Nazwy etykietujące wskazują podział na dwie wspólnoty: interesów (skupionej na kwestiach jednostkowych) i wartości".