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It was in his monumental 12 "London" symphonies, composed between 1791 and 1795, that Haydn shaped the early form of the symphony and set the standard for later composers. According to the "New Grove's Dictionary of Music and Musicians," the appeal of these works stems from their stature as "grand" symphonies, embodying a "broader presentation of musical ideas" and "themes and motifs of a basic simplicity and immediate appeal." The present volume contains the last six symphonies in the series, including the lively "Military" Symphony (No. 100), the delightful "Clock" Symphony (No. 101), and the world-famous "London" Symphony (No. 104). Scores included in this volume are Symphony No. 99 in E-...
Features No. 1 in B-flat Major, Op. 38 ("Spring"); No. 2 in C Major, Op. 61; No. 3 in E-flat Major, Op. 97 ("Rhenish"); and No. 4 in D Minor, Op. 120. Breitkopf & Härtel editions. Study score.
Complete orchestral score of Symphony No. 4 in F Minor, Op. 36; Symphony No. 5 in E Minor, Op. 64; Symphony No. 6 in B Minor, "Pathetique," Op. 74. Study score. Reprinted from the Breitkopf & Härtel editions.
Features No. 1 in B-flat Major, Op. 38 ("Spring"); No. 2 in C Major, Op. 61; No. 3 in E-flat Major, Op. 97 ("Rhenish"); and No. 4 in D Minor, Op. 120. Breitkopf & Härtel editions.
In his Fifth Symphony, Gustav Mahler (1860 1911) moved on from the song-oriented works of his "Wunderhorn" period to take up the challenges of the purely instrumental symphony. It was a move that brought to the fore the Austrian composer's genius for discovering fresh and convincing formal solutions for his musical aims. Without a specific dramatic "program" or narrative live, the Fifth Symphony moves forward in vivid, emotionally compelling musical shapes that begin in funereal gloom and build to climactic expressions of heroic triumph and ultimate joy. In his Sixth Symphony, Mahler continued to explore the potential of the instrumental symphony, but followed an opposite dramatic course to that of the Fifth, this time building to a series of shattering climaxes implying ultimate defeat and death. Both of these deeply moving works, composed between 1901 and 1906, are today among the most performed symphonic works in the orchestral repertoire. Both symphonies are reprinted here from authoritative full-score editions in a finely produced volume designed to provide a lifetime of enjoyment and study."
Two of the composer's finest symphonies — Symphony No. 6 in D and Symphony No. 7 in D Minor — reproduced from the authoritative Simrock edition. Seventh symphony often considered his greatest achievement in the form.
Two brilliantly contrasting masterworks ? one scored for a massive ensemble, the other for small orchestra and soloist ? reprinted from authoritative Viennese editions.
Reprinted from authoritative sources, these scores represent Finnish composer Jan Sibelius's final symphonies: No. 6, a "poem within the framework of a symphony"; and No. 7, a one-movement "symphonic fantasy."
Schubert's most popular symphonies: No. 4 in C Minor ("Tragic"); No. 5 in B-Flat Major; No. 8 in B Minor ("Unfinished"); and No. 9 in C Major ("Great"). Breitkopf and Härtel edition. Study score.
These revolutionary works brought a strikingly organic almost architectural unity to the symphony that music historians recognized as far in advance of anything in the classical masters. Planted with seeds of change already evident in the beautiful, dark third symphony, the fourth symphony presented the most individual work in this form that the 20th century had yet witnessed. Harmonically new, boldly innovative, and structured on a subtle continuity of line, this was a kind of music previously unheard in the concert hall. Austere and intensely concentrated, Sibelius's symphonies of 1907 and 1911 are frequently performed around the world by major orchestras. "It is hard to think of any music in which the composer is more spontaneous and masterful, and uncompromising in his thought." Olin Downes, "Thompson's International Cyclopedia.""