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Contortionist Tongue
Contortionist Tongue is vulnerable but fierce collection of poetry on the realities of being a Syrian Muslim woman and survivor in the current socio-political climate. From bridging the gaps of a broken heart, to bridging the gaps between two homes and two cultures, these poems underscore every angle of womanhood and resilience.
Mother Tongue
What does it mean when the identity out of which one builds a life turns out to be a lie? What is the impact on one's self and those one loves? Mother Tongue emerges from the fires of shocking loss, betrayal and grief-tested love. 'Mother Tongue is a profound and moving novel that asks complex questions with such crystal clarity they seem simple. Are we formed by our genes? Our history? Or do we make ourselves? How do we lose each other? More importantly: how do we find each other?' — Sophie Cunningham 'Mother Tongue is a tender and sensitive story about family secrets, loss and recovery from loss; a wise and lyrical meditation on the nature of love.' — Gail Jones
Mother Tongue
If you leave home, is your heart left behind? Darya Ivanova is looking forward to September. She has looked after her little sister, Nika, since she was a baby. Now Nika is starting school. Maybe Darya can find a job with her own tidy desk. Perhaps even a boyfriend. But when an unimaginable tragedy strikes, Darya's life plans are fractured. Stalled. She is afraid. What if she never knows real love? What if she never finds somewhere she belongs? If only she could get to Moscow. There, Darya could escape. There, she could become someone else . . . 'Magnificent' Independent on The Big Lie
Silence Is My Mother Tongue
In a time of war, what is the shape of love? Saba arrives in an East African refugee camp as a young girl, devastated to have been wrenched from school and forced to abandon her books as her family flees to safety. In this unfamiliar, crowded and often hostile space, she must carve out a new existence. As she struggles to maintain her sense of self, she remains fiercely protective of her mute brother, Hagos -- each sibling resisting the roles gender and society assign. Through a cast of complex, beautifully drawn characters, Sulaiman Addonia questions what it means to be a man, to be a woman, to be an individual when circumstance has forced the loss of all that makes a home or a feature. 'Remarkable.' -- Guardian 'Richly written.' -- Daily Mail 'Unique and intelligent.' -- Big Issue
Black Tongue
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Mother Tongue [Large Print 16pt]
What does it mean when the identity out of which one builds a life turns out to be a lie? What is the impact on one's self and those one loves? Mother Tongue emerges from the fires of shocking loss, betrayal and grief-tested love. 'Mother Tongue is a profound and moving novel that asks complex questions with such crystal clarity they seem simple. Are we formed by our genes? Our history? Or do we make ourselves? How do we lose each other? More importantly: how do we find each other?' - Sophie Cunningham 'Mother Tongue is a tender and sensitive story about family secrets, loss and recovery from loss; a wise and lyrical meditation on the nature of love.' - Gail Jones
Debating World Literature
In the continuing debates about the cultural dimensions of globalization, the question of 'literature' has been something of a poor relation. This volume seeks to redress the balance. It takes as its starting point Goethe's idea of Weltliteratur, from which it then travels out to various parts of the globe at different historical junctures. Among its many concerns are the legacies of Goethe's idea, variable understandings of the term 'literature' itself, cross-cultural encounters, the nature of 'small literatures', and the cultural politics of literary genres. With contributions from many of the leading voices in the field, Debating World Literature seeks to transcend the pieties and simplifications of polemic in a search for the complexity embodied in the linking of the two terms 'world' and 'literature'.
At the Breakfast Table
Told from four different perspectives, At the Breakfast Table is a story of hidden histories and family secrets, from the author of The Silence of Scheherazade. Buyukada, Turkey, 2017. In the glow of a late summer morning, family gather for the 100th birthday of the famous artist Shirin Saka. It ought to be a time of fond reminiscence, looking back on a long and fruitful artistic career, on memories spanning almost a century. But the deep past is something Shirin has spent a lifetime trying to conceal. Her grandchildren, Nur and Fikret, and great-grandchild, Celine, do not know what she's hiding, though they are intimately aware of the secret's psychological consequences. The siblings invite family friend and investigative journalist Burak along to interview Shirin – in celebration of her centenary, and also in the hope of persuading her to open up. Eventually Shirin begins to express her pain the only way she knows how. She paints a story onto her dining room wall, revealing a history wiped from public consciousness and generations of her family's history. 'Fiercely intelligent, finely textured and achingly beautiful.' Elif Shafak
