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Acker
Martin's lyric essay, written through Kathy Acker's evocative prose, public statements, and private archives, follows Acker through New York's downtown St. Mark's Poetry Project scene, Black Mountain College, and the Beats, as Acker embarks on her own deconstructions of autobiographical and historical subjects, art procedurals, proto-conceptual writing, legacies, and spirits.
Leaving's Not the Only Way to Go
Lauren Ashburn left a promising job to help her family in Vermont take care of her dying father. Now that he’s gone, Lauren has every intention of returning to her old life—the vibrant, successful one her father had always expected her to have. But Lauren discovers that she feels adrift without his strict guidance. Georgia Solomon designs homes for others. But as a bisexual autistic woman, she rarely feels at home herself. When her best friend dies suddenly, leaving her alone with their young daughter, her little slice of happiness vanishes. Now Georgia finds herself struggling to navigate a world that doesn’t understand her at all. Lauren and Georgia clash at a disastrous work meeting, but Georgia’s daughter Hannah pulls them together despite themselves. As they discover new possibilities and priorities for the future, can they make room for love? Or will they have to leave each other behind—in order for them both to move forward?
After Kathy Acker
Rich girl, street punk, lost girl and icon ... scholar, stripper, victim and media-whore: The late Kathy Acker's legend and writings are wrapped in mythologies, created mostly by Acker herself. The media storm that surrounded Kathy Acker's books was unprecedented: her books were banned in several countries and condemned by the mainstream media, but eventually the controversy, and attention, faded away. Twenty years after her untimely death aged just 50, Acker's legend has faded, making her writing more legible. In this first, fully authorized biography, Kraus approaches Acker both as a writer, and as a member of the artistic communities from which she emerged. At once forensic and intimate, After Kathy Acker traces the extreme discipline and literary strategies Acker used to develop her work, and the contradictions she longed to embody. Using exhaustive archival research and ongoing conversations with mutual colleagues and friends, Kraus charts Acker's movement through some of the late twentieth century's most significant artistic enterprises.
Exploding the Phone
“A rollicking history of the telephone system and the hackers who exploited its flaws.” —Kirkus Reviews, starred review Before smartphones, back even before the Internet and personal computers, a misfit group of technophiles, blind teenagers, hippies, and outlaws figured out how to hack the world’s largest machine: the telephone system. Starting with Alexander Graham Bell’s revolutionary “harmonic telegraph,” by the middle of the twentieth century the phone system had grown into something extraordinary, a web of cutting-edge switching machines and human operators that linked together millions of people like never before. But the network had a billion-dollar flaw, and once peopl...
Blood and Guts in High School
Janey undergoes, as if in a fairytale, a nightmare journey of exploitation - first incest, then abortions, a job selling cookies to the chi-chi bourgois of Brooklyn, a one-sided love affair with the leader of punk gang THE SCORPIONS, and finally is sold into the white slave trade in the middle east. Along the way she grapples with the cultural message of The Scarlet Letter, falls in love with Jean Genet, and angrily ridicules Erica Jong - the famous rich white face of 1970s feminism. Pulsating with the influence of William S. Burroughs, the narrative is a patchwork mish-mash of prose, poetry, drama, literary plagiarism and illustration - childlike sexual drawings pepper the book, along with Acker's surreal, minutely detailed, annotated 'dream maps'. Exploring feminism, punk, the idea of the "literary canon" and the United States of America, Blood and Guts in High School has lost none of its power to shock.
Reading and Writing Experimental Texts
This collection of essays offers twelve innovative approaches to contemporary literary criticism. The contributors, women scholars who range from undergraduate students to contingent faculty to endowed chairs, stage a critical dialogue that raises vital questions about the aims and forms of criticism— its discourses and politics, as well as the personal, institutional, and economic conditions of its production. Offering compelling feminist and queer readings of avant-garde twentieth- and twenty-first-century texts, the essays included here are playful, performative, and theoretically savvy. Written for students, scholars, and professors in literature and creative writing, Reading and Writing Experimental Texts provides examples for doing literary scholarship in innovative ways. These provocative readings invite conversation and community, reminding us that if the stakes of critical innovation are high, so are the pleasures.
Empire of the Senseless
Set in the near future, in a Paris devastated by revolution and disease, Empire of the Senseless is narrated by two terrorists and occasional lovers, Thivai, a pirate, and Abhor, part robot and part human. Together and apart, the two undertake an odyssey of carnage, a holocaust of the erotic. "An elegy for the world of our fathers," as Kathy Acker calls it, where the terrorists and the wretched of the earth are in command, marching down a road charted by Genet to a Marseillaise composed by Sade.
