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A series of murders that are eerily similar to the dark stories Lana's deceased brother used to tell start happening in her home town, threatening her newfound popularity.
The childhood memoir of one of Britain's best-loved writers.
Perfect for fans of Agatha Christie's mysteries, as well as Clare Mackintosh and Paula Hawkins, the ninth psychological thriller from Sophie Hannah is a literary mystery and a puzzle that's impossible to solve . . . 'Fiendishly clever' Sunday Express 'Exceptional' Elle Knowing the secret will kill you. All she wanted to do was take her son's forgotten sports kit to school. So why does Nicki Clements drive past the home of controversial newspaper columnist Damon Blundy eight times in one day? Blundy has been murdered, and the words 'HE IS NO LESS DEAD' daubed on his wall - in red paint, not blood. And, though Blundy was killed with a knife, he was not stabbed. Why? Nicki, called in for questioning, doesn't have any of the answers police are looking for. Nor can she tell them the truth, because although she is not guilty of murder, she is far from innocent. And the words on the wall are disturbingly familiar to her, if only she could remember where she has heard them before . . .
When Rachel sets off alone for her mother's isolated country house, she promises herself that the business of packing up and selling will only take a couple of weeks, and then she'll be home again, and back to normal. But from the moment she steps through the front door, Rachel feels that the house contains more than she had expected: along with the memories of her mother, there is something else, a presence - not quite tangible - trying to make itself felt. As Rachel struggles to put her mother's affairs in order, she grows ever more convinced that the house holds a message for her. Can the ghosts of the past be forcing their way into the present, or is Rachel really beginning to lose her mind?
Everyone knows how "Little Red Riding Hood" goes. But Grandpa keeps getting the story all wrong, with hilarious results! "Once upon a time, there was a little girl called Little Yellow Riding Hood--" "Not yellow! It's Red Riding Hood!" So begins the story of a grandpa playfully recounting the well-known fairytale--or his version, at least--to his granddaughter. Try as she might to get him back on track, Grandpa keeps on adding things to the mix, both outlandish and mundane! The end result is an unpredictable tale that comes alive as it's being told, born out of imaginative play and familial affection. This spirited picture book will surprise and delight from start to finish, while reminding ...
Provides a postmodern theory of poetry that sees rhythm as its essential quality
An introverted woman is overwhelmed by all the people living inside her when she comes to see psychotherapist, Dr. Freyn, for help. As she slips into a chair in her therapists office week after week, she does not know who she is anymore. When her weekly sessions hit an impasse, Dr. Freyn encourages her to release her internal companions so they may tell their own stories. As Dr. Freyn shows her pictures--a different one each week--and asks her to tell a story based on the pictures, the patient leads the therapist through a maze of interconnected relationships, madness, suicide, growth, and synthesis as she achieves a deeper connection with herself. As her characters spin a web of narratives that span the latter half of the twentieth century, the boundaries between fantasy and reality, truth and lies, and sanity and madness become blurred as the past and future attempt to reinvent each other. Telling Stories is the tale of one womans confrontation with her fragmented self and her journey to self-understanding through the stories of the internal characters who haunt her.
Willie Nelson, Joe Ely, Marcia Ball, Tish Hinojosa, Stevie Ray Vaughan, Lyle Lovett...the list of popular songwriters from Texas just goes on and on. In this collection of thirty-four interviews with these and other songwriters, Kathleen Hudson pursues the stories behind the songs, letting the singers' own words describe where their songs come from and how the diverse, eclectic cultures, landscapes, and musical traditions of Texas inspire the creative process. Conducted in dance halls, dressing rooms, parking lots, clubs-wherever the musicians could take time to tell their stories-the interviews are refreshingly spontaneous and vivid. Hudson draws out the songwriters on such topics as the sources of their songs, the influence of other musicians on their work, the progress of their careers, and the nature of Texas music. Many common threads emerge from these stories, while the uniqueness of each songwriter becomes equally apparent. To round out the collection, Hudson interviews Larry McMurtry and Darrell Royal for their perspectives as longtime friends and fans of Texas musicians. She also includes a brief biography and discography of each songwriter.
Science fiction-roman.
The field of black women's history gained recognition as a legitimate field of study late in the twentieth century. Collecting stories that are both deeply personal and powerfully political, Telling Histories compiles seventeen personal narratives by leading black women historians at various stages in their careers, illuminating how they entered and navigated higher education, a world concerned with - and dominated by - whites and men. In distinct voices and from different vantage points, the personal histories revealed here also tell the story of the struggle to establish the fields of African American and African American women's history.