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An extensive, in-depth study that takes in works from throughout the artist's career. The book will be useful for scholars of Margolles and of art history more generally. Margolles' work is situated within the contexts of the aesthetics and philosophy of death and their application to looking at art from inside and outside Mexico.
The first comprehensive collection of its kind, this handbook addresses the problem of knowledge production in criminology, redressing the global imbalance with an original focus on the Global South. Issues of vital criminological research and policy significance abound in the Global South, with important implications for South/North relations as well as global security and justice. In a world of high speed communication technologies and fluid national borders, empire building has shifted from colonising territories to colonising knowledge. The authors of this volume question whose voices, experiences, and theories are reflected in the discipline, and argue that diversity of discourse is mor...
Volume 2 of 6 of the complete premium print version of journal forum for inter-american research (fiar), which is the official electronic journal of the International Association of Inter-American Studies (IAS). fiar was established by the American Studies Program at Bielefeld University in 2008. We foster a dialogic and interdisciplinary approach to the study of the Americas. fiar is a peer-reviewed online journal. Articles in this journal undergo a double-blind review process and are published in English, French, Portuguese and Spanish.
"A groundbreaking look at avant-garde art and literature in the wake of the Mexican Revolution, illustrating Mexico City's importance as a major center for the development of modernism"--Provided by publisher.
In Ciudad Juárez, Mexico, people disappear, their bodies dumped in deserted city lots or jettisoned in the unforgiving desert. All too many of them are women. More or Less Dead analyzes how such violence against women has been represented in news media, books, films, photography, and art. Alice Driver argues that the various cultural reports often express anxiety or criticism about how women traverse and inhabit the geography of Ciudad Juárez and further the idea of the public female body as hypersexualized. Rather than searching for justice, the various media—art, photography, and even graffiti—often reuse victimized bodies in sensationalist, attention-grabbing ways. In order to count...
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Iconocracia brings together the works of approximately 30 Cuban photographers from different generations and political perspectives. This collection reflects the diversity of contemporary Cuban society and culture.
At the Venice Biennale 2003, Sierra had the Spanish pavilion walled in and guarded by security personnel, who only allowed Spanish citizens with a valid passport to enter. Since then, Sierra has been one of the most frequently discussed contemporary artists in the world. His most recent project; the installation `House in mud' for the Kestnergessellschaft, links the institutions history with the history of the city of Hanover. Using the origins of Lake Masch - which was created in the middle of the city as part of a government employment program in the 1930's - Sierra addresses the question of what work is really worth, a recurring theme in his work which is especially pertinent today.
This exhibition catalogue presents a series of works representatives of what has been the process of visual arts from the second half of the twentieth century to the present. It presents a collection where they are present more than seventy artists born between the decades of 30 and 50: as Gordon Matta-Clark, Donald Judd, Joseph Kosuth, Dan Flavin, Lazslo Moholy-Nagy, Matthew Barney, Thomas Ruff, Wolfgang Tillmans, Helio Oiticica, Douglas Gordon, Vanessa Beecroft, Francis Alys, Abraham Cruzvillegas, Santiago Sierra, Teresa Margolles, Gabriel Orozco among others, whose works make up this selection of high quality, representativeness and diversity of searches, finds and creative proposals. The common thread is the image, the starting point and destination of each of the works are collected in this selection: Drawing, painting, sculpture, installations, video art, and prominently, picture from several strands from the documentary to which explores the meaning and scope of the creative process.
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