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A compelling historiographic study of the Rape of Nanjing during the Sino-Japanese War of 1937-1945, one of the worst atrocities of all times, and of the event's repercussions.
Takashi Yoshida provides a historical analysis of war and peace museums from the late nineteenth century to the present and traces the historical development of a pacifist discourse in postwar Japan that centered on Japan's war crimes and responsibility during the so-called Fifteen Year War, which began in 1931 with Japan's invasion of Manchuria and ended in 1945 with the nation's defeat. Prior to the defeat, a culture of war gripped the Japanese empire. Every segment of Japanese popular culture during the war bore witness to the flood of patriotism. In this book Yoshida attempts to demonstrate that the acceptance of Japanese wartime aggression and atrocities as historical facts remains evident to this day in the culture of peace museums in Japan. Those who have little knowledge of contemporary Japan often hastily conclude that the Japanese have been united and monolithic in the way they feel the war should be remembered. This book seeks to challenge that assumption.
In The Making of the "Rape of Nanking" Takashi Yoshida examines how views of the Nanjing Massacre have evolved in history writing and public memory in Japan, China, and the United States. For these nations, the question of how to treat the legacy of Nanjing - whether to deplore it, sanitize it, rationalize it, or even ignore it - has aroused passions revolving around ethics, nationality, and historical identity. Drawing on a rich analysis of Chinese, Japanese, and American history textbooks and newspapers, Yoshida traces the evolving - and often conflicting - understandings of the Nanjing Massacre, revealing how changing social and political environments have influenced the debate. Yoshida s...
On December 13, 1937, the Japanese army attacked and captured the Chinese capital city of Nanjing, planting the rising-sun flag atop the city's outer walls. What occurred in the ensuing weeks and months has been the source of a tempestuous debate ever since. It is well known that the Japanese military committed wholesale atrocities after the fall of the city, massacring large numbers of Chinese during the both the Battle of Nanjing and in its aftermath. Yet the exact details of the war crimes--how many people were killed during the battle? How many after? How many women were raped? Were prisoners executed? How unspeakable were the acts committed?--are the source of controversy among Japanese...
The novel is a rough gem. It does have a characteristic skin with iron stains. Like most rough gems, the novel isnt free from inclusions or blemishes. The novel portrays a slice of gem trade replete with black humor and raunchy dialogue, along with a cast of 90s impresarios, bozos, lust-driven wives, gangsters and plain Joe Does. All are swept up in this tornado of a plot.
Nominated for the 2017 Dayton Literary Peace Prize in non-fiction This volume examines peace museums, a small and important (but often overlooked) series of museums whose numbers have multiplied world-wide in recent decades. They relate stories and display artifacts—banners, diaries, and posters for example about such themes as: art and peace, antiwar histories, protest, peacekeeping and social justice and promote cultures of peace. This book introduces their different approaches from Japan, which has the largest number of sites, to Bradford, UK and Guernica, Spain. Some peace museums and centers emphasize popular peace symbols and figures, others provide alternative narratives about consc...