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A Convert’s Tale
An intimate portrait, based on newly discovered archival sources, of one of the most famous Jewish artists of the Italian Renaissance who, charged with a scandalous crime, renounced his faith and converted to Catholicism. In 1491 the renowned goldsmith Salomone da Sesso converted to Catholicism. Born in the mid-fifteenth century to a Jewish family in Florence, Salomone later settled in Ferrara, where he was regarded as a virtuoso artist whose exquisite jewelry and lavishly engraved swords were prized by Italy’s ruling elite. But rumors circulated about Salomone’s behavior, scandalizing the Jewish community, who turned him over to the civil authorities. Charged with sodomy, Salomone was s...
Savonarola's Women
Girolamo Savonarola (1452–1498), the religious reformer, preacher, and Florentine civic leader, was burned at the stake as a false prophet by the order of Pope Alexander VI. Tamar Herzig here explores the networks of Savonarola’s female followers that proliferated in the two generations following his death. Drawing on sources from the fifteenth and sixteenth centuries, many never before studied, transcribed, or contextualized in Savonarolan scholarship and religious history, Herzig shows how powerful public figures and clerics continued to ally themselves with these holy women long after the prophet’s death. In their quest to stay true to their leader’s teachings, Savonarola’s fema...
Dissimulation and Deceit in Early Modern Europe
In this book, twelve scholars of early modern history analyse various categories and cases of deception and false identity in the age of geographical discoveries and of forced conversions: from two-faced conversos to serial converts, from demoniacs to stigmatics, and from self-appointed ambassadors to lying cosmographer.
Knowledge and Religion in Early Modern Europe
The interplay between knowledge and religion forms a pivotal component of how early modern individuals and societies understood themselves and their surroundings. Knowledge of the self in pursuit of salvation, humanistic knowledge within a confessional education, as well as inherently subversive knowledge acquired about religion(s) offer instructive instances of this interplay. To these are added essays on medical knowledge in its religious and social contexts, the changing role of imagination in scientific thought, the philosophical and political problems of representation, and attempts to counter Enlightenment criteria of knowledge at the end of the period, serving here as multifaceted studies of the dynamics and shifts in sensitivity and stress in the interplay between knowledge and religion within evolving early modern contexts.
A Convert's Tale
Salomone da Sesso was a virtuoso goldsmith in Renaissance Italy. Brought down by a sex scandal, he saved his skin by converting to Catholicism. Tamar Herzig explores Salamone's world-his Jewish upbringing, his craft and patrons, and homosexuality. In his struggle for rehabilitation, we see how precarious and contested was the meaning of conversion.
The Oxford Handbook of Witchcraft in Early Modern Europe and Colonial America
A collection of essays from leading scholars in the field that collectively study the rise and fall of witchcraft prosecutions in the various kingdoms and territories of Europe and in English, Spanish, and Portuguese colonies in the Americas.
Forced Conversion in Christianity, Judaism and Islam
Focusing on the Iberian Peninsula but examining related European and Mediterranean contexts as well, Forced Conversion in Christianity, Judaism and Islam traces how Christians, Jews, and Muslims grappled with the contradictory phenomenon of faith brought about by constraint and compulsion. Forced conversion brought into sharp relief the tensions among the accepted notion of faith as a voluntary act, the desire to maintain “pure” communities, and the universal truth claims of radical monotheism. Offering a comparative view of an important yet insufficiently studied phenomenon in the history of religions, this collection of essays explores the ways in which religion and violence reshaped these three religions and the ways we understand them today.
The Science of Demons
Witches, ghosts, fairies. Premodern Europe was filled with strange creatures, with the devil lurking behind them all. But were his powers real? Did his powers have limits? Or were tales of the demonic all one grand illusion? Physicians, lawyers, and theologians at different times and places answered these questions differently and disagreed bitterly. The demonic took many forms in medieval and early modern Europe. By examining individual authors from across the continent, this book reveals the many purposes to which the devil could be put, both during the late medieval fight against heresy and during the age of Reformations. It explores what it was like to live with demons, and how careers a...
Lost Girls
In 1554, a group of idealistic laywomen founded a home for homeless and orphaned adolescent girls in one of the worst neighborhoods in Florence. Of the 526 girls who lived in the home during its fourteen-year tenure, only 202 left there alive. Struck by the unusually high mortality rate, Nicholas Terpstra sets out to determine what killed the lost girls of the House of Compassion shelter (Casa della Pietà). Reaching deep into the archives' letters, ledgers, and records from both inside and outside the home, he slowly pieces together the tragic story. The Casa welcomed girls in bad health and with little future, hoping to save them from an almost certain life of poverty and drudgery. Yet thi...
Watermarks
"An exploration of depictions and use of water within Renaissance Italy, and especially in the work of polymath Leonardo da Vinci. Both a practical necessity and a powerful symbol, water presents one of the most challenging problems in visual art due to its formlessness, clarity, and mutability. In Renaissance Italy, it was a nearly inexhaustible subject of inquiry for artists, engineers, and architects alike: it represented an element to be productively harnessed and a force of untamed nature. Watermarks places the depiction and use of water within an intellectual history of early modern Italy, examining the parallel technological and aesthetic challenges of mastering water and the scientif...
