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Growing American Rubber explores America's quest during tense decades of the twentieth century to identify a viable source of domestic rubber. Straddling international revolutions and world wars, this unique and well-researched history chronicles efforts of leaders in business, science, and government to sever American dependence on foreign suppliers. Mark Finlay plots out intersecting networks of actors including Thomas Edison, Henry Ford, prominent botanists, interned Japanese Americans, Haitian peasants, and ordinary citizensùall of whom contributed to this search for economic self-sufficiency. Challenging once-familiar boundaries between agriculture and industry and field and laboratory, Finlay also identifies an era in which perceived boundaries between natural and synthetic came under review. Although synthetic rubber emerged from World War II as one solution, the issue of ever-diminishing natural resources and the question of how to meet twenty-first-century consumer, military, and business demands lingers today.
A richly illustrated, accessibly written book with a variety of perspectives on slavery, emancipation, and black life in Savannah from the city's founding to the early twentieth century. Written by leading historians of Savannah, Georgia, and the South, it includes a mix of thematic essays focusing on individual people, events, and places.
A new way of seeing Black history—the sweeping story of how American cities as we know them developed from the vision, aspirations, and actions of the Black poor. Building the Black City shows how African Americans built and rebuilt thriving cities for themselves, even as their unpaid and underpaid labor enriched the nation's economic, political, and cultural elites. Covering an incredible range of cities from the North to the South, the East to the West, Joe William Trotter, Jr., traces the growth of Black cities and political power from the preindustrial era to the present. Trotter defines the Black city as a complicated socioeconomic, spiritual, political, and spatial process, unfolding...
The Telfair Museum of Art’s Owens-Thomas House in Savannah, Georgia, is considered one of the finest examples of Regency architecture in the United States. Named a National Historic Landmark in 1976 and listed in the National Register of Historic Places in 1977, the Owens-Thomas House was designed by British architect William Jay and was built from 1816 to 1819. In addition to its architectural significance, the house features fine furnishings and decorative arts from the early nineteenth century. The house’s rare two-story urban slave quarters alone make it a must-see stop on any tour of historic downtown Savannah. The Owens-Thomas House boasts a storied past with political triumphs and personal tragedies, offering visitors unique insight into a young American world as it evolved in the early nineteenth century.
Showcases a number of themes through which the common story of Georgia, its people, and its quilting legacy can be told in a comprehensive record of the diversity of quilting materials, methods, and patterns used in the state. Simultaneous.
The fascinating history of the Telfair, featuring 114 representative pieces of fine and decorative art from its vast collection, all superbly reproduced and thoroughly annotated.
The definitive guide to the architectural treasures of one of NorthAmerica s urban masterpieces "Savannah s twenty-two squares are itstreasures the other main attraction: its architectural gems. Thesheer number of distinguished buildings is astonishing for a cityof Savannah s size." John Berendt, from the Foreword The National Trust Guide to Savannah takes you on an illustratedwalking tour through the breathtakingly gorgeous squares andneighborhoods of one of North America s most beautiful cities.Pausing along the way to linger over this or that point ofarchitectural interest, Roulhac Toledano pieces together thehistory of the city, from when it was little more than a plan onfounder James Ed...
This book contains the lectures presented at the second Henry D. Green Symposium of the Decorative Arts, which was held at the museum in January 2004.
Woven coverlets have appeared in several guises within the history of folk textiles. Created on four-harness looms, coverlets made in the nineteenth-century American South typically featured colored wool and cotton threads woven into striking geometric patterns. Although they are not as well known as other textiles and domestic objects, “overshot” coverlets were, and continue to be, significant examples of material culture that require tremendous skill and creativity to produce. They also express currents of conformity and dissent. In addition to being pleasing to the eye and hand, “overshot” coverlets have advanced a variety of social and political ends. At times exhibited in slave ...
In modern Syria, a contested territory at the intersection of differing regimes of political representation, artists ventured to develop strikingly new kinds of painting to link their images to life forces and agitated energies. Examining the works of artists Kahlil Gibran, Adham Ismail, and Fateh al-Moudarres, Beautiful Agitation explores how painters in Syria activated the mutability of form to rethink relationships of figure to ground, outward appearance to inner presence, and self to world. Drawing on archival materials in Syria and beyond, Anneka Lenssen reveals new trajectories of painterly practice in a twentieth century defined by shifting media technologies, moving populations, and the imposition of violently enforced nation-state borders. The result is a study of Arab modernism that foregrounds rather than occludes efforts to agitate against imposed identities and intersubjective relations.