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Mpu Monaguṇa's early thirteenth century epic poem Sumanasāntaka is a vernacular rendering of Kālidāsa's story of Prince Aja and Princess Indumatī told in the Raghuvaṃśa. In it the poet exploits his source narrative to describe and comment on the Javanese world of his times. In Mpu Monaguṇa's Sumanasāntaka the authors offer an edited text and translation of Mpu Monaguṇa's epic kakawin and extensive commentary on the editing of the manuscripts and history of the poem and its story, the relationship between the Old Javanese poem and Kālidāsa's Raghuvaṃśa, the way in which the poem imagines the lived environment of ancient Java in the early thirteenth century and Balinese painted representations of the story of Prince Aja and Princess Indumatī.
Criticism on Desawarnana or Nagarakrtagama, an Old Javanese literature on the golden era of Majapahit Kingdom.
This book is the first comprehensive study of the practice of kekawin composition in Bali. Based on field research and a diverse range of palm leaf texts, it explores Balinese perceptions of kekawin composition and demonstrates the nexus between religion and the writing of these poems. Like kekawin from ancient Java, Balinese kekawin have been conceived as a mystical means of unification with divinity, as temples of language. In the first part of the book Bali is shown to be a society of religious literacy, and alphabet magic and the religious beliefs that underpin literary activity are examined. The second part explores Balinese conceptions of the practice of kekawin composition as literary yoga. Both the priestly identity of poets and the act of composing as a religious ritual are considered. The final section investigates the craft of composition through texts that concern prosody, poetics and orthography: the Canda, the Bhasaprana and the Swarawyanjana.
In Radical Traditions, author Andrew Clay McGraw shows how music kontemporer embodies the tensions between culture as represented and lived. Through a highly interdisciplinary approach this book presents an all-encompassing social and musical history of musik kontemporer.
In this fascinating study the lives and mores of women in one of the least understood but most densely populated areas of the world are unveiled through the eyes of generations of court poets. For more than a millennium, the poets of the Indic courts of Java and Bali composed epic kakawin poems in which they recreated the court environment where they and their royal patrons lived. Major themes in this poetry form include war, love, and marriage. It is a rich source for the cultural and social history of Indonesia. Still being produced in Bali today, kakawin remain of interest and relevance to Balinese cultural and religious identities. This book draws on the epic kakawin poetry tradition to ...
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Shadows of Empire explores Javanese shadow theater as a staging area for negotiations between colonial power and indigenous traditions. Charting the shifting boundaries between myth and history in Javanese Mahabharata and Ramayana tales, Laurie J. Sears reveals what happens when these stories move from village performances and palace manuscripts into colonial texts and nationalist journals and, most recently, comic books and novels. Historical, anthropological, and literary in its method and insight, this work offers a dramatic reassessment of both Javanese literary/theatrical production and Dutch scholarship on Southeast Asia. Though Javanese shadow theater (wayang) has existed for hundreds...
Buku Antologi Tulisan Ilmu Hukum Jilid ke-10 ini selain memuat beberapa karya tulis pengacara muda berbakat juga memuat beberapa karya tulis saya diantaranya mengenai Restorasi Karakter Bangsa di tengah Derasnya Arus Globalisasi, Kejahatan Kesusilaan, Politik Hukum Indonesia, dan Penegakan Hukum Pasca Reformasi Khususnya dalam kasus Korupsi.