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The term 'Bayeux stitch' often describes the laid and couched work that was used across Europe in the middle ages. This practical book of techniques and projects demonstrates the simple style of the Bayeux tapestry, before showing variations based on both surviving examples and adaptations of medieval manuscripts. It explains the narrow range of stitches used in laid and couched work and introduces the limited colour palette in medieval embroidery and the rhythmic use of colour. There are twelve projects with step-by-step sequences that illustrate how to stitch subjects ranging from knights to trees, and from dragons to bishops. By introducing subtle variations of techniques and materials, Tanya Bentham illustrates the endless potential of this beautiful embroidery, and brings it alive for today's embroiderers.
Reproduction of the original: Handbook of Embroidery by L. Higgin
An introduction to the design, production and use of luxury embroideries in medieval England (c. 1200-1530) In medieval Europe, embroidered textiles were indispensable symbols of wealth and power. Owing to their quality, complexity and magnificence, English embroideries enjoyed international demand and can be traced in Continental sources as opus anglicanum (English work). Essays by leading experts explore the embroideries' artistic and social context, while catalogue entries examine individual masterpieces. Medieval embroiderers lived in a tightly knit community in London, and many were women who can be identified by name. Comparisons between their work and contemporary painting challenge modern assumptions about the hierarchy of artistic media. Contributors consider an outstanding range of examples, highlighting their craftsmanship and exploring the world in which they were created.
This latest title in the highly successful Ancient Textiles series is the first substantial monograph-length historiography of early medieval embroideries and their context within the British Isles. The book brings together and analyses for the first time all 43 embroideries believed to have been made in the British Isles and Ireland in the early medieval period. New research carried out on those embroideries that are accessible today, involving the collection of technical data, stitch analysis, observations of condition and wear-marks and microscopic photography supplements a survey of existing published and archival sources. The research has been used to write, for the first time, the ‘s...
An all-in-one volume covering crewelwork, canvaswork, and six other types of hand embroidery, from the renowned school established in nineteenth-century England. This beautiful book is a rich source of embroidery techniques, stitches, and projects, covering eight key subjects in detail: crewelwork, bead embroidery, stumpwork, canvaswork, goldwork, whitework, blackwork, and silk shading. Collecting all the books in the trusted, bestselling Royal School of Needlework Essential Stitch Guide series, plus a new section on mounting your finished work, this fantastic book—heavily illustrated with photos—is a must-have for all embroiderers.
Examines the work of medieval embroiderers, including vestments, altar cloths, clothes, and wall-hangings, and discusses their techniques, how they acquired their skills, and embroiderers' guilds
Brimming with intricate drawings, color photos, and excerpts from 18th-century writings, this enthralling book is your passport to a bygone age. Fashion and textiles lecturer Gail Marsh offers insights into the lives of 18th-century embroiderers; their equipment, stitches, and threads; and techniques such as working with metal thread and spangles, silk embroidery, tambour, and the forgotten arts of Hollie Point and knotting. A must-have for historical costume creators, collectors, and needlework enthusiasts.
Named one of Granta's Best of Young British Novelists Anais Hendricks, fifteen, is in the back of a police car. She is headed for the Panopticon, a home for chronic young offenders. She can't remember what’s happened, but across town a policewoman lies in a coma and Anais is covered in blood. Raised in foster care from birth and moved through twenty-three placements before she even turned seven, Anais has been let down by just about every adult she has ever met. Now a counterculture outlaw, she knows that she can only rely on herself. And yet despite the parade of horrors visited upon her early life, she greets the world with the witty, fierce insight of a survivor. Anais finds a sense of belonging among the residents of the Panopticon—they form intense bonds, and she soon becomes part of an ad-hoc family. Together, they struggle against the adults that keep them confined. But when she looks up at the watchtower that looms over the residents, Anais realizes her fate: She is an anonymous part of an experiment, and she always was. Now it seems that the experiment is closing in. Now with Extra Libris material, including a reader’s guide and bonus content