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This classic in Yukon gold rush literature was originally published in 1900 and has long been out of print. Tappan Adney, a New York journalist, was dispatched to the Yukon in 1897, at the height of the gold fever, to 'furnish news and pictures of the new gold fields.' The pages contain excellent descriptions of the people, places, events, and experiences of the Klondike stampede. Adney was not only a good writer, he was also an accomplished photographer, and there are over 150 photographs and drawings in the text, adding an important visual dimension to the book.
"Published in association with the Mariners' Museum"
In 1887, at the age of just 18, intellectually and artistically gifted American Tappan Adney embarked on his first trip to New Brunswick. He had plans to enrol at Columbia University in the fall, primed for a meteoric rise in academia -- but fate intervened. He fell under the spell of the wilderness of Maine, New Brunswick, and Nova Scotia, and the local Maliseet people. Nothing escaped his curiosity, Adney embarked on hunting, fishing, and camping trips with Humboldt (Hum) Sharp, his future brother-in-law; Peter Joseph, who would become his Maliseet mentor; and Purps, Hum's hunting dog. Adney recorded his wilderness adventures in his journals through evocative sketches and memorable prose, including the detail of a caribou hunt decades before their extinction in this area of the country. Tappan Adney's writings, illustrations, and photographs were published in Harper's Magazine. His models of aboriginal canoes, now in many museum collections, helped save the birchbark canoe from oblivion.
The bark canoes of the North American Indians, particularly those of birchbark, were among the most highly developed manually propelled primitive watercraft. Built with Stone Age tools from available materials, their design, size, and appearance were varied to suit the many requirements of their users. Even today, canoes are based on these ancient designs, and this fascinating guide combines historical background with instructions for constructing one. Author Edwin Tappan Adney, born in 1868, devoted his life to studying canoes and was practically the sole scholar in his field. His papers and research have been assembled by a curator at the Smithsonian Institution.
The definitive reference to indigenous peoples' watercraft around the world. Tappan Adney (1868-1950) was an artist, writer, ethnographer, historian and modelmaker of unparalleled ability. He tirelessly documented the cultures and languages of vanishing native cultures. His most enduring legacy is the extraordinary 110 birchbark canoe models he handbuilt to exacting standards. The models, now held at The Mariners' Museum in Newport News, Virginia, were built to ensure future canoe builders had exact reproductions for reference. These historically accurate, 1:5 scale models were meticulously researched, and traditionally constructed using the identical materials of the originals. Many are bas...
This book is about what happened when Tappan Adney travelled from New York City to the small town of Woodstock, New Brunswick in 1887 at the age of 18. The coming of this young man to this town at this particular time is surely one of the most remarkable instances in Canadian history of the convergence of person and place. It is not unusual for writers, artists, and other historically significant figures to be strongly associated with particular cultural regions from which they draw inspiration. But the coming of Tappan Adney to the central St. John River Valley of New Brunswick was an event of unique and extraordinary importance in Canadian cultural history. It was here at the mouth of Lane...
In 1887, at the tender age of eighteen, Tappan Adney embarked on his first trip to New Brunswick. He had plans to enrol at Columbia University in the fall, primed for a meteoric rise in academia -- but fate intervened. He fell under the spell of the New Brunswick wilderness and the local Maliseet people. Nothing escaped his curiosity. Adney embarked on hunting, fishing, and camping trips, recording his wilderness adventures in journals through evocative sketches and memorable prose, including the detail of a caribou hunt decades before their extinction in this area of the country. Years later, Tappan Adney went on to become a celebrated journalist, photographer, and ethnologist. His models of aboriginal canoes, now in many museum collections, helped save the birchbark canoe from oblivion. This new, revised edition of the original volume of The Travel Journals of Tappan Adney is a welcome companion to the recently published second volume of Tappan Adney's journals. This edition features a few corrections, the inclusion of recently discovered photographs, and a more relaxed design to match the second volume for reading ease.
The remarkable life and legacy of an extraordinary man whose influence echoes through time. Tappan Adney travelled from New York to New Brunswick for a summer holiday at the age of 19 in 1887, and it changed the course of his life. Adney is best known for a singular achievement. He was the artist, writer, and illustrator whose chance encounter with Peter Jo, a Wəlastəkwi Elder-craftsman, led to a passionate, lifelong interest in the birchbark canoe and Wəlastəkwey culture. But that is only part of the story. Throughout his life, little escaped Adney's curiosity. From his extensive documentation of the design of Indigenous canoes to his reportage on the Klondike Gold Rush; from his work as an illustrator, photographer, and designer to his natural history journalism; from his activism for Indigenous rights to his documentation of the Wəlastəkwey language, Adney's mind roamed from one passion to another, leaving behind a treasure trove of natural history and ethnographic research. This book tells the intriguing story of his remarkable life and details his multifaceted legacy.
Edwin Tappan Adney (1868-1950) was a photographer, artist, and writer. His 1900 book, The Klondike Stampede, remains a classic on the Gold Rush era.
In Greenville, New Hampshire, a small town in the southern part of the state, Henri Vaillancourt makes birch-bark canoes in the same manner and with the same tools that the Indians used. The Survival of the Bark Canoe is the story of this ancient craft and of a 150-mile trip through the Maine woods in those graceful survivors of a prehistoric technology. It is a book squarely in the tradition of one written by the first tourist in these woods, Henry David Thoreau, whose The Maine Woods recounts similar journeys in similar vessel. As McPhee describes the expedition he made with Vaillancourt, he also traces the evolution of the bark canoe, from its beginnings through the development of the huge canoes used by the fur traders of the Canadian North Woods, where the bark canoe played the key role in opening up the wilderness. He discusses as well the differing types of bark canoes, whose construction varied from tribe to tribe, according to custom and available materials. In a style as pure and as effortless as the waters of Maine and the glide of a canoe, John McPhee has written one of his most fascinating books, one in which his talents as a journalist are on brilliant display.