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Sometimes the one who ties you in knots may be the only one who can hold you together... The last thing Slade wants is to be in charge of anyone but himself and his dog Lola. The military taught him the high price of being in command and he wants none of it. But Dave Logan, his boss and best friend, doesn't care what he wants and puts Slade in the hot seat at Deep Six Security while he goes off the grid with his new bride. Just as Slade knew it would, a Charlie Foxtrot quickly follows and he loses the hard-won peace in his life when a high-profile client's son is kidnapped from under their noses at a luxury hotel and Deep Six Security's biggest contract is in jeopardy on his watch. With no l...
Overcoming disabling injuries, Vietnam vet Paul Bernard becomes an award-winning journalist and television newsman known for holding a mirror to American society. Long critical of the radical right, after 9-11 Bernard attacks the Bush administration for Osama bin Laden's escape and leading the nation into a disastrous war. On assignment in Iraq, Bernard is killed under suspicious circumstances. Interwoven with the account of his life is an interview of his mentor, Professor Augustus F.X. Flynn, by a magazine writer profiling him. Frustrated by Washington's inaction, the two set out to find the truth about the killing. In Book Two, Paul Bernard has become an oil expert and a critic of America's Middle East dependency. His experiences as a correspondent in Paris and Moscow are related in this Book, his coverage of the great year 1989 in Europe, the Gulf War. Bernard's move to television news is marked by growing clashes with the radical right, culminating in his controversial stance against the Iraq War and the dramatic final events of the story.
Draws on Einstein's Theory of Relativity to examine of the workings of narrative time in the novels of Thomas Pynchon, including Against the Day.
Focusing on portrayals of California in popular culture, this collection of new essays traces a central theme of darkness through literature (Toby Barlow, Angela Carter, Joan Didion, Thomas Pynchon, and Claire Vaye Watkins), video games (L.A. Noire), music (Death Grips, Lana Del Rey, and the Red Hot Chili Peppers), TV (True Detective and American Horror Story), and film (Starry Eyes, Southland Tales and A Girl Walks Home Alone at Night). Providing insight into the significance of Californian icons, the contributors explore the interplay between positive stereotypes connected to the myth of the Golden State and ambivalent responses to the myth based on social and political power, the consequences of consumerism, transformations of the landscape and the dominance of hyperreality.
This book is a remarkable collection of chapters covering a wide domain of topics related to artificial intelligence and its applications to the real world. The conference attracted a total of 494 submissions from many academic pioneering researchers, scientists, industrial engineers, and students from all around the world. These submissions underwent a double-blind peer-reviewed process. Of the total submissions, 176 submissions have been selected to be included in these proceedings. It is difficult to imagine how artificial intelligence has become an inseparable part of our life. From mobile phones, smart watches, washing machines to smart homes, smart cars, and smart industries, artificia...
Pynchon’s California is the first book to examine Thomas Pynchon’s use of California as a setting in his novels. Throughout his 50-year career, Pynchon has regularly returned to the Golden State in his fiction. With the publication in 2009 of his third novel set there, the significance of California in Pynchon’s evolving fictional project becomes increasingly worthy of study. Scott McClintock and John Miller have gathered essays from leading and up-and-coming Pynchon scholars who explore this topic from a variety of critical perspectives, reflecting the diversity and eclecticism of Pynchon’s fiction and of the state that has served as his recurring muse from The Crying of Lot 49 (196...
Cover -- Half Title -- Title -- Copyright -- Dedication -- Contents -- CHAPTER 1. Pynchon in Zuccotti Park: An Introduction -- CHAPTER 2. Vineland and the Insomniac Unavenged -- CHAPTER 3. Mason & Dixon and the Ghastly Fop -- CHAPTER 4. Against the Day and a World Like Ours, with One or Two Adjustments -- CHAPTER 5. Inherent Vice and Being in Place -- CHAPTER 6. Bleeding Edge and Getting Constructively Lost -- CHAPTER 7. A Snappy 'Ukulele Accompaniment -- CHAPTER 8. Occupy the Novel: A Conclusion -- Notes -- Works Cited -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- X -- Y -- Z
Since its origin, American literature has always had an uneasy relationship with science: born at a time when science was becoming a profession, it repeatedly referred to it, implicitly or explicitly, in order to assert its difference or, on the contrary, to gain a certain form of legitimacy. The purpose of this book is to show how scientific discourse informs literary writing, and to consider the relationship the two types of discourse have maintained: mutual metaphorization, questioning or legitimating. Focusing on the literary production of the United States in the 20th and 21st centuries, the book is organized in four parts: the first one, which concerns the works of Henry Adams and Thom...
Offering a transdisciplinary journey across Thomas Pynchon’s California trilogy, “From Faraway California” addresses the representation of (city)space in the Crying of Lot 49, Vineland, and Inherent Vice through “geourban” lenses. Drawing on specific concepts in urban and regional studies, the book provides a thorough examination of Pynchon’s spatial imaginary, where the reader comes to understand how his fiction tackles the socio-political and cultural consequences of urban restructuring in the contemporary city and the lives of its citizens. Pynchon’s depiction of California is further analyzed from mythical and environmental standpoints to shed light on his planetary vision and (post)postmodernist poetics in the span of nearly half a century. More broadly, the book’s geocritical and urban analyses of Pynchon’s fiction indicate what might take place concerning the future of urbanism, toward “planetary urbanization” and the formation of the “city region.”
For twenty years, Reverse Shot, a journal for film criticism and the house publication of New York’s Museum of the Moving Image, has been a home for movie lovers to find incisive, intelligent writings from a diverse group of the best critics working today. To celebrate the publication's run, MoMI has published this special anniversary anthology, which collects central pieces from the journal’s beginnings up through the latest releases. Broken into four chronological movements, this volume captures not only the films and filmmakers that Reverse Shot’s writers have championed and wrestled over but also tells a story of cinema’s progress and change over the first two decades of the 21st...