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Explores the influence of folklore, mysticism, mythology and the occult on the development of modernism and surrealism in Britain. This book features the works of both historic and contemporary artists, and considers the influence of neo-romantic and arcane themes on a significant strand of British art practice.
Accompanying our 2020-21 Haegue Yang exhibition at Tate St Ives, this beautiful exhibition book focuses on the context of the Cornish landscape and its ancient archaeological heritage as an important point of departure for Yang. A vital expansion of the ideas that punctuate the Tate St Ives exhibition, the exhibition catalogue brings together installation photography and new texts on the artist. Yang's work combines materials, theories and cultural references to make astute and surprising connections between local contexts and wider geographies and histories. Recurring themes of migration, postcolonial diasporas, political struggle and social mobility underpin Yang's research, culminating in...
Examines the original and fascinating journey of discovery into the influence of the ocean in cultural history. Includes work by a wide range of artists and writers and accompanies a UK touring exhibition.
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"In this new exploration of modern art and St Ives, works by St Ives artists are looked at in the context of their contemporaries in Europe, North America and beyond. The work of this period includes the utopian ideal of constructivism and the tradition of craft and the handmade. Paintings, sculpture and ceramics - drawn from public and private collections in the UK and abroad - richly illustrate how artists' engagement with St Ives was a part of the global art scene of the twentieth century." -- back cover.
English artist Barbara Hepworth (1903-1975) created a unique combination of subtropical garden and sculpture park at Trewyn in St.Ives -- a haven of peace that acted as a showplace for her sculpture, a working environment, and an opportunity for Hepworth to pursue her other great love, gardening. This book is a beautiful record of the plants and sculptures at Trewyn throughout the seasons; it explores the evolution of the garden, its purpose, the placement of the works, and the relationship between Hepworth's abstract sculptures and the natural forms that surround them. With specially commissioned photographs taken in all seasons, two essays on Hepworth's work at Trewyn, and full descriptions of both plants and sculptures, this is a wonderful addition to the literature on St.Ives and on Barbara Hepworth.
Margaret Garlake's study of Peter Lanyon provides a unique survey of his life and work, from his childhood friendship with Patrick Heron to international acclaim in the 1960s. He was the only Cornishman among the leading members of the St. Ives group.
One of England’s best-loved sculptors, Barbara Hepworth (1903–1975) was an important figure in the development of international abstract art. This book explores a two-year period of Hepworth’s life when she created nearly 80 figurative drawings of surgeons at work in hospital operating rooms. Numerous never-before-seen drawings are featured here alongside images from Hepworth’s only surviving hospital sketchbook. A 1950 lecture in which Hepworth explains the importance of the drawings to her sculptural practice accompanies the illustrations, along with an essay that traces their development and examines the deep and lasting friendship of Hepworth and the surgeons she painted.
Eldred Evans and David Shalev are among Britain's most respected architects. The first monograph on their work, this book covers their entire sixty-year career including cultural landmarks such as Bede's World Museum, Jarrow, and Tate St Ives.
An exhibition catalog featuring the artwork of British sculptor Barbara Hepworth.