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Hijikata Tatsumi and Ohno Kazuo
Part of the "Routledge Performance Practitioners" series, this book deals with the contribution of two of modern theatre's most charismatic innovators. Including a glossary of English and Japanese terms, it presents an account of the founding of Japanese butoh through the partnership of Hijikata and Ohno.
Costume en Face
Drama. Dance. Performance Studies. East Asia Studies. Transcribed by Moe Yamamoto and translated from the Japanese by Sawako Nakayasu. Tatsumi Hijikata (1928-1986) is a founding father of the radical dance form that he called Butoh, whose choreography required dancers to internalize complex and often grotesque images, experiences and perspectives in order to produce precise movements. Though influenced by Western artists and writers the expressionist dance of Mary Wigman, the writings of Artaud, de Sade, Bataille, and Genet, and the drawings and paintings of Goya, Picasso, Toyen, Beardsley, and others he was dedicated to the particular experience of the marginalized, Japanese suffering body after World War II. In the mid-1970s, Hijikata became concerned with developing notation for his Butoh, and some of these Butoh-fu notations remain, largely in the form of notebooks transcribed by his disciples. COSTUME EN FACE is the first publication of one of Hijikata's notebook notations in either English or Japanese. In it we can see, for the first time, the profound interconnectedness of language and body in Hijikata's process of composition."
Hijikata Tatsumi and Butoh
Hijikata Tatsumi's explosive 1959 debut Forbidden Colors sparked a new genre of performance in Japan - butoh: an art form of contrasts, by turns shocking and serene. Since then, though interest has grown exponentially, and people all over the world are drawn to butoh's ability to enact paradox and contradiction, audiences are less knowledgeable about the contributions and innovations of the founder of butoh. Hijikata Tatsumi and Butoh traces the rollicking history of the creation and initial maturation of butoh, and locates Hijikata's performances within the intellectual, cultural, and economic ferment of Japan from the sixties to the eighties.
Film's Ghosts
"Tokyo during the 1960s was in a state of uproar, full of protests, riots, and insurrection. Tatsumi Hijikata - the initiator of the 'Butoh' performance art and the seminal figure in Japan's experimental arts culture of the 1960s - created his most famous works in the context of that turmoil. Central to Hijikata's vital 1960s work are his many films, from experimental projects undertaken in collaboration with artists, to horror and sex films made for Japan's ailing studios, to his participation in the corporate, state-power spectacle of the Osaka World Expo '70. Based on original interviews with Hijikata's collaborators as well as new research, Film's Ghosts illuminates Hijikata's world-reno...
Hijikata Tatsumi and Ohno Kazuo
Now re-issued, this compact book unravels the contribution of one of modern theatre’s most charismatic innovators. Hijikata Tatsumi and Ohno Kazuo combines: • an account of the founding of Japanese butoh through the partnership of Hijikata and Ohno, extending to the larger story of butoh’s international assimilation • an exploration of the impact of the social and political issues of post-World War II Japan on the aesthetic development of butoh • metamorphic dance experiences that students of butoh can explore • a glossary of English and Japanese terms. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners are unbeatable value for today’s student.
Butoh
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Flesh Love Returns
This new collection by Photographer HAL includes 50 photos of his latest project "Flesh Love Returns," which captures a variety of couples sealed together in a vacuum package at a place which is important for them. His works have been acclaimed worldwide, among others in Europe, and not a few people come over to Japan to have them packed and photographed by him. His powerful but pop style is again captured in this new collection, which will surely compel interest from all the photo lovers.
The Night is Still Young
With The Night Is Still Young, Los Angeles-based, Japanese photographer Tomoaki Hata returns to his roots-the underground club scene of Osaka's gay, nightlife district. Filled with intimate images of the radically-creative drag queens who performed at various venues in the city from the late 1990s through the present, this book is a peek into the underbelly of modern Japan. Hata occupies a much-deserved place in the ranks of the great Japanese photographers-on par with the likes of Daido Moriyama and Nobuyoshi Araki-yet he achieved this rank not by following the example of these greats, but via the presentation of his own unique view of a slice of Japanese culture that otherwise remains larg...
Hijikata
Hijikita: Revolt of the Body examines the life and work of Tatsumi Hijikata (1928-86), who invented a revolutionary performance art and dance known as Ankoku Butoh, or "Dance of Darkness." The Butoh style of performance and movement premiered in Japan in 1959 and developed in subsequent years in response to the student riots and the 1960s protest movement. Hijikata is the supreme figure in the last half-century of Japan's experimental culture, and he remains a seminal and inspirational presence for Japanese artists, choreographers, film-makers, musicians, and writers. Based on extended interviews with Hijikata's family and all of his surviving collaborators, this is the only book to focus ex...
Hijikata Tatsumi and Ohno Kazuo
This compact, well-illustrated and clearly written book unravels the contribution of two of modern theatre's most charismatic innovators. Hijikata Tatsumi and Ohno Kazuo is the first book to combine: an account of the founding of Japanese butoh through the partnership of Hijikata and Ohno, extending to the larger story of butoh's international assimilation an exploration of the impact of the social and political issues of post World War Two Japan on the aesthetic development of butoh metamorphic dance experiences that students of butoh can explore a glossary of English and Japanese terms. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, this addition to the Routledge Performance Practitioners series is unbeatable value for today's student.
