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Views of Seventeenth-Century Vietnam
This volume introduces two of the earliest writings about Vietnam to appear in the English language. The reports come from narrators with different interests who are viewing different parts of Vietnam at an early stage of European involvement in the region.
Bertrand Tavernier
Bertrand Tavernier is widely recognized as the leading French filmmaker of his generation. Both a consummate artist and a controversial public figure, he is a passionate advocate for social causes and also a tireless defender of world cinema in general and the French cinematic heritage in particular. Lynn Higgins’ book offers a guided tour through Tavernier’s oeuvre, taking into account both its prodigious diversity and its unifying themes. It explores his use of genre and adaptation, his work with actors and his affection for characters, his treatment of France’s colonial history, his explorations of the powers of art and the complexities of intergenerational relations, both among fictional characters and within French cinema history. This is the most comprehensive and up-to-date scholarly book about Tavernier. Original and lively, sophisticated and engaging, the book will appeal to anyone interested in film studies, gender studies, and French cultural studies including academics, students, cinema enthusiasts, and Tavernier fans.
Bertrand Tavernier
Most comprehensive study of Tavernier's oeuvre. In-depth discussion of every major film through 2010. First to examine Tavernier's work through the lens of genre.
Bertrand Tavernier
Bertrand Tavernier (1941–2021) was widely considered to be the leading light in a generation of French filmmakers who launched their careers in the 1970s in the wake of the New Wave. In just over forty years, he directed twenty-two feature films in an eclectic range of genres from intimate family portrait to historical drama and neo-Western. Beginning with his debut feature—L’Horloger de Saint-Paul (1974), which won the prestigious Louis Delluc Prize—Tavernier showed himself to be a public intellectual. Like his films, he was deeply engaged with the pressing issues facing France and the world: the consequences of war, colonialism and its continuing aftermath, the price of heroism, an...
Jules Tavernier and the Elem Pomo
Investigating the career of the French-born American artist Jules Tavernier (1844–1889), this issue of the Bulletin recounts the artist’s travels through the American West and examines his portrayals of some of the Indigenous communities he encountered. The story focuses on Tavernier’s masterwork, Dance in a Subterranean Roundhouse at Clear Lake, California (1878), which depicts a ceremonial dance—known as mfom Xe, or “people dance”—performed by the Pomo community of Elem at Clear Lake, in Northern California. Robert Joseph Geary, an Elem Pomo cultural leader, eloquently describes his first reactions upon seeing Tavernier’s depiction of his ancestors and the significance of t...
Bertrand Tavernier
Martin Scorcese has called Bertrand Tavernier FranceOs leading director. The New Republic referred to him as Oone of the best directors alive.O Despite his skill and some critical acclaim, Tavernier is often misunderstood. The first work on Tavernier written in English, this book examines ten feature films that characterize Tavernier as an auteur. This book is essential reading for all of those interested in French film, independent filmmakers, students or teachers of film history, and, of course, fans of Tavernier.
Travels in India
Jean-Baptiste Tavernier (1605-89) was one of the most renowned travelers of 17th century Europe. The son of a French Protestant who had fled Antwerp to escape religious persecution, Tavernier was a jewel merchant who between 1632 and 1668 made six voyages to the East. The countries he visited (most more than once) included present-day Cyprus, Malta, Turkey, Syria, Iraq, Iran, Afghanistan, Pakistan, India, Sri Lanka, and Indonesia. In 1676 he published his two-volume Les six voyages de Jean Baptiste Tavernier (The six voyages of Jean Baptiste Tavernier). An abridged and very imperfect English translation of the book appeared in 1677. The first modern scholarly edition in English, presented he...
Artists at Continent's End
"From 1875 to the first years of the twentieth century, artists were drawn to the towns of Monterey, Pacific Grove, and then Carmel. Artist at Continent's End is the first in-depth examination of the importance of the Monterey Peninsula, which during this period came to epitomize California art. Beautifully illustrated with a wealth of images, including many never before published, this book tells the fascinating story of eight principal protagonists--Jules Tavernier, William Keith, Charles Rollo Peters, Arthur Mathews, Evelyn McCormick, Francis McComas, Gottardo Piazzoni, and photographer Arnold Genthe--and a host of secondary players who together established an enduring artistic legacy."--prospectus.
Wife to Widow
This monumental study of two generations of women who married either before or after the Patriote rebellions of 1837-38 explores the meaning of the transition from wife to widowhood in early nineteenth-century Montreal. Bettina Bradbury weaves together the individual biographies of twenty women, against the backdrop of collective genealogies of over 500, to offer new insights into the law, politics, demography, religion, and domestic life of the time. She shows how women from all walks of life interacted with and shaped Montreal's culture, customs, and institutions, even as they laboured under the shifting conditions of patriarchy. Wife to Widow provides a rare window into the significance of marriage and widowhood.
